2015
DOI: 10.1186/s13411-015-0041-1
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Leading the consumer by the nose: on the commercialization of olfactory design for the food and beverage sector

Abstract: Many researchers distinguish between two senses of smell-orthonasal (when we inhale or sniff) and retronasal (when volatiles are pulsed out from the back of the nose during eating). Orthonasal olfactory cues are key to setting our expectations concerning the sensory and hedonic attributes of food and drink; by contrast, retronasal olfactory cues are central to the experience of taste (or, better said, flavour). Food and beverage providers are increasingly modifying the product-extrinsic olfactory cues associat… Show more

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Cited by 59 publications
(52 citation statements)
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“…For instance, round shapes (e.g., logos, labels, figures, typefaces) have been shown to be more appropriate when it comes to communicating sweetness, while bitter, salty, and sour tastes might be better promoted through the use of more angular shapes instead (see Velasco et al 2016b, for a review). Similarly, pink, white, green, and black foreground colours should be used to enhance people's expectations that a product is going to taste sweet, salty, sour, and bitter, respectively (see Favre & November 1979;Spence et al 2015;.…”
Section: Sensory Congruency In Product Evaluationmentioning
confidence: 99%
See 1 more Smart Citation
“…For instance, round shapes (e.g., logos, labels, figures, typefaces) have been shown to be more appropriate when it comes to communicating sweetness, while bitter, salty, and sour tastes might be better promoted through the use of more angular shapes instead (see Velasco et al 2016b, for a review). Similarly, pink, white, green, and black foreground colours should be used to enhance people's expectations that a product is going to taste sweet, salty, sour, and bitter, respectively (see Favre & November 1979;Spence et al 2015;.…”
Section: Sensory Congruency In Product Evaluationmentioning
confidence: 99%
“…One day odours might be diffused while people are online in order to stimulate perceptual re-enactment and facilitate memorization and recall of information in the online environment (Braun et al 2016;Krishna, Lwin, & Morrin 2010;Morrin & Ratneshwar 2003). For instance, one could imagine the Doubletree chain of hotels diffusing the same scent of the cookies offered to customers at the reception desk, via smell devices, during online booking, say, to set up an anticipation of what's to come (though see Spence 2015). However, this requires that the devices have enough odours in stock to be able to diffuse the one corresponding to the brand, and that consumers also think of reloading the odour diffusers (and that they are available for refill), which seems unrealistic at this stage.…”
Section: Multisensory Online Experiencementioning
confidence: 99%
“…The importance of bodily states in cognition is already integrated in sensory marketing practices to drive consumer perceptions and simulations (e.g., Elder & Krishna, 2012;Spence, 2015; for a review, see Krishna, 2012;Krishna, Cian, & Sokolov, 2016). For example, food marketing and advertising lead consumers to making taste inferences.…”
mentioning
confidence: 99%
“…However, in the future, we believe that by far the biggest uptake of ideas in the space of olfactory dining will be in mass-market food and beverage packaging (e.g. see [65]). You only need to note here how much of what we eat and drink is actually consumed direct from packaging.…”
Section: Discussionmentioning
confidence: 99%