2018
DOI: 10.1080/13527258.2018.1475413
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Learning from cultural engagements in community-based heritage scholarship

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Cited by 9 publications
(5 citation statements)
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“…The interviews included five male and three female locals from the Kurd and Arab communities living there, 15 personnel from the national stakeholders involved in the area such as the municipality, the mayor of the region, Directorate General of Antiquities and Museums (DGAM), as well as the archaeological mission still working on a long-distance basis and the parties involved with the cultural-based community development project (a set of experts, Syria Trust for Development, Tomohi, Nakoun, DGAM, and other related bodies). McGill highlighted the importance of including a range of institutions and individuals in heritage work (e.g., community residents, universities, students, regional heritage professionals, NGOs, cultural organizations, governmental institutions) and demonstrated that close observation of heritage projects helps to develop understandings not only of the communities interacting with heritage places, but also helps archaeologists to understand the impacts and implications of the projects in which they engage for future cultural tourism use [30].…”
Section: Methodsmentioning
confidence: 99%
“…The interviews included five male and three female locals from the Kurd and Arab communities living there, 15 personnel from the national stakeholders involved in the area such as the municipality, the mayor of the region, Directorate General of Antiquities and Museums (DGAM), as well as the archaeological mission still working on a long-distance basis and the parties involved with the cultural-based community development project (a set of experts, Syria Trust for Development, Tomohi, Nakoun, DGAM, and other related bodies). McGill highlighted the importance of including a range of institutions and individuals in heritage work (e.g., community residents, universities, students, regional heritage professionals, NGOs, cultural organizations, governmental institutions) and demonstrated that close observation of heritage projects helps to develop understandings not only of the communities interacting with heritage places, but also helps archaeologists to understand the impacts and implications of the projects in which they engage for future cultural tourism use [30].…”
Section: Methodsmentioning
confidence: 99%
“…Heritage programmes encompass a broad range of complex and sensitive topics that extend far beyond the preservation of tangible artefacts. Such programmatic complexity inevitably leads to questions about effective programme design and programme impacts, as implied by McGill's (2018) reflection in the introduction of this article. In response, we discussed two examples and explored how a foundational evaluation technique, programme modelling, can serve the field of heritage studies in the design and delivery of such programmes.…”
Section: Implications For Heritage Managementmentioning
confidence: 99%
“…Within heritage management, the term 'evaluation' typically refers to an assessment of the number of 'things' conserved or preserved, or an analysis of the socio-economic impacts of preservation activities (Rudokas et al, 2019). Although these quantitative measures are important, we echo McGill's (2018) reflection on how 'we as heritage professionals assess the benefits of heritage initiatives ' (p. 1080). In other words, how might heritage managers and other stakeholders evaluate the effectiveness of 'heritage enterprises … entities whose missions include heritage education, management and/or conservation' (Kimball, 2017, p. 3)?…”
Section: Introductionmentioning
confidence: 99%
“…Our first public outreach initiative in the village occurred in the summer of 2016 and involved a collaborative, interdisciplinary humanities project, which culminated in a temporary community exhibit at the Crooked Tree Visitor's Center, a building managed by the Belize Audubon Society. This public history exhibit featured information on contemporary ethnographic research in Crooked Tree, which was led by Dr. Alicia McGill of NC State [33,34]. The BREA team contributed several panels for the exhibit featuring the "deeper history" of the Creole, which we gathered through our oral history, archival, and archaeological research.…”
Section: Project Backgroundmentioning
confidence: 99%