The relevance of play for individual and cultural development is widely acknowledged. In his famous study on the development of human culture, Huizinga (1938Huizinga ( / 1951 focused especially on the role of play and argued that culture emerges within playfully established human activities. He defi nes play as "voluntary activity accomplished within specifi c temporal and spatial boundaries, according to voluntarily accepted but stringent rules and characterized by an intrinsic goal, accompanied by feelings of suspense and pleasure, and by an awareness of being different from ordinary life" (Huizinga 1951 , p. 47). Although Huizinga's cultural-historical analysis of the evolution of culture is widely read and discussed, his main point is not yet completely understood, let alone implemented in psychological theories on play or in practical play-based approaches.Huizinga was very keen on the correct interpretation of his intentions with this study. In the foreword to the Dutch edition (1938/ 1951 , p. i ), he recounts his discussions with his publishers in the United Kingdom and Germany who both had changed self-opinionatedly the subtitle of his study "The play element of culture" into "The play element in culture" (Das Spielelement in der Kultur). He rejected this "correction" with the argument that he had not been interested in his study in the position of play among different cultural phenomena. Rather, he had wanted to study the play character of culture itself and discover how culture as play produces new culture. He stressed once again that in his view cultures emerge as play and develop in these playfully accomplished practices.On the basis of his cultural-historical analyses of different cultural practices since the ancient Greek culture (e.g.