1917
DOI: 10.1097/00005053-191701000-00015
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Leonardo da Vinci. A Psychosexual Study of an Infantile Reminiscence

Abstract: Edm. Solmi 4 cites (p. 12) the expression of one of his pupils : "Pareva, che ad ogni ora tremasse, quando si poneva a dipingere, e pero no diede mai fine ad alcuna cosa cominciata, considerando la grandezza dell'arte, tal che egli scorgeva errori in quelle cose, che ad altri parevano miracoli." His last pictures, Leda,

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Cited by 19 publications
(13 citation statements)
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“…According to Aristotle (350BC/1997), music was the most influential phenomenon that an audience could be affected by. Psychoanalysts, on the other hand, conceptualized music (and other artistic products) in terms of ‘sublimation’, that is, the transformation of sexual instincts into socially rewarded products and activities (Freud, 1922). More recent psychological and empirical studies into the uses of music suggest that individuals, in particular young people, use music for the purpose of impression‐management, i.e.…”
Section: Uses Of Musicmentioning
confidence: 99%
“…According to Aristotle (350BC/1997), music was the most influential phenomenon that an audience could be affected by. Psychoanalysts, on the other hand, conceptualized music (and other artistic products) in terms of ‘sublimation’, that is, the transformation of sexual instincts into socially rewarded products and activities (Freud, 1922). More recent psychological and empirical studies into the uses of music suggest that individuals, in particular young people, use music for the purpose of impression‐management, i.e.…”
Section: Uses Of Musicmentioning
confidence: 99%
“…Study of an Infantile Reminiscence, Sigmund Freud (1910/1916 seeks to further penetrate and explore the psyche of Leonardo and make connections between it and his artistic creations. Freud speculates on the meaning and significance of a childhood memory of Leonardo's and interprets Leonardo's paintings in light of it.…”
Section: Psychoanalytic Art History In Leonardo Da Vinci: a Psychosementioning
confidence: 99%
“…6 Me refiero aquí a la ola de biografías psicoanalíticas que empezaron a publicarse en el siglo xx, influenciadas por las teorías de Sigmund Freud, quien en su biografía de Leonardo da Vinci, interpretó la obra del artista según sus ideas sobre la neurosis, la homosexualidad y la represión sexual (Freud, 2008). A forma de ejemplo, la biografía del joven Martín Lutero de Erik Erikson interpretó sus acciones según la idea de que sufría de un complejo de Edipo (Erikson, 1958).…”
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