2017
DOI: 10.3917/lobs.049.0009
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Les droits culturels consacrés par la loi : et après ?

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“…cultural centers aiming to connect art with its audiences. Such hybrid spaces (Besson, forthcoming) have emerged in response to a need for cultural facilitation (Guillon and Saez 2019) where users can become active stakeholders in the cultural program, not simply passive consumers of it (Blandin et al 2017;Zask 2003). Art is used as a vehicle for viewing political and societal transitions through the reappropriation, reimagination, and redefinition of African culture-past, present, and future.…”
Section: Examples Of Spaces Focusing On Art and Artistsmentioning
confidence: 99%
“…cultural centers aiming to connect art with its audiences. Such hybrid spaces (Besson, forthcoming) have emerged in response to a need for cultural facilitation (Guillon and Saez 2019) where users can become active stakeholders in the cultural program, not simply passive consumers of it (Blandin et al 2017;Zask 2003). Art is used as a vehicle for viewing political and societal transitions through the reappropriation, reimagination, and redefinition of African culture-past, present, and future.…”
Section: Examples Of Spaces Focusing On Art and Artistsmentioning
confidence: 99%