Les principes de protection des dessins et modèles dans les pays du Marché Commun

Perot-Morel, Marie-Angèle; Desbois, Henri

doi:10.1515/9783111656540

Cited by 5 publications

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“…French literature is of the clear opinion that the copyright and design laws' protection requirements are different (Kamina 2001, no. 40, p. 3258; 2003, p. 28; Lucas and Lucas, 2001, p. 93; Pérot‐Morel 2005, p. 9; Piatti, 2004). However, some think that novelty is redundant because own character includes novelty (De Candé, 2003, p. 396, citing Humblot, 2003, p. 990; Massa and Strowel, 2003, p. 73).…”

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confidence: 97%

“…According to this theory, there should be no criterion to distinguish between art and industry because otherwise it would force courts to make subjective aesthetic judgements (Suthersanen, 2000, p. 137). In other words, art is “dedicated to unity in its most diverse manifestations, it can be defined neither by beauty nor even by the aesthetic feeling it tends to arouse” (Pérot‐Morel, pp. 46–7) 13…”

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confidence: 99%

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Are Fashion Designers Better Protected in Continental Europe than in the United Kingdom? A Comparative Analysis of the Recent Case Law in France, Italy and the United Kingdom

Derclaye

2009

The Journal of World Intellectual Property

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This article shows that despite a vast harmonization programme in the field of copyright and registered design right, the degree of protection of designers in the European Union still differs greatly. This is owed to the lack of harmonization in copyright and unfair competition laws. The article shows that not only is there a difference in the scope of protection between the common law and civil law countries but also between civil law countries. The countries chosen for the comparison are the United Kingdom, France and Italy. The article concentrates on the case law of the last 5 years and concludes that there is a need for further harmonization in the fields of copyright law and unfair competition law, as well as guidance from the European Court of Justice on the test of infringement for registered designs as it has been interpreted very differently in at least two member states.

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confidence: 97%

mentioning

confidence: 99%

Are Fashion Designers Better Protected in Continental Europe than in the United Kingdom? A Comparative Analysis of the Recent Case Law in France, Italy and the United Kingdom

Derclaye

2009

The Journal of World Intellectual Property

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“…Quoi qu'il en soit, c'est la diversité des règles relatives à la protection de créations de forme qui interpelle le juriste, le droit des dessins et modèles étant parmi les moins harmonisés . L'harmonisation juridique internationale en soi est débattue, certains auteurs déplorant les disparités, menant à un manque de sécurité juridique, de clarté et de précision (Passa, , §10; Perot‐Morel, ), d'autres pointant les bénéfices d'une marge d'appréciation des Etats indispensable pour préserver les spécificités locales (Kingsbury, ). Il s'agit également d'un débat qui dépasse le cadre de cet article, mais dont nous tenons pleinement compte.…”

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Graphical Representation and Industrial Design Law Harmonisation

Kapyrina

2016

World Intellectual Property

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Elément essentiel de la demande menant à la délivrance du titre de propriété sur l'apparence d'un produit, l'étude de la représentation graphique permet de s'engager dans plusieurs pistes de réflexion pour avancer sur la question de l'harmonisation du régime international de protection de la forme des produits qui nous entourent. Sans chercher à combler le hiatus entre les dessins et modèles industriels et les œuvres des arts appliqués, nous explorons les mécanismes qui permettront à l'avenir d'alléger les disparités dans la pratique du droit des dessins et modèles, augmentant ainsi son attractivité. The graphical representation of a design is the central element of any registration procedure leading to an exclusive right to the appearance of a product. Acknowledging that, and concentrating specifically on this formal aspect, helps to advance the complex issue of international design protection harmonisation. Shifting from the search for somehow bridging the gap between industrial designs and works of applied art, we endeavour to explore the mechanisms that shall permit alleviating discrepancies in the practice of sui generis design protections, adding attractiveness to this IP title.

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History and Current Status of Design Protection in France

Aso¹

2022

History of Design and Design Law

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Les principes de protection des dessins et modèles dans les pays du Marché Commun

Cited by 5 publications

References 0 publications

Are Fashion Designers Better Protected in Continental Europe than in the United Kingdom? A Comparative Analysis of the Recent Case Law in France, Italy and the United Kingdom

Are Fashion Designers Better Protected in Continental Europe than in the United Kingdom? A Comparative Analysis of the Recent Case Law in France, Italy and the United Kingdom

Graphical Representation and Industrial Design Law Harmonisation

History and Current Status of Design Protection in France

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