Letter to the Editor

Abstract

Having said this, Andrew Byrne is right to point out an error (mine) in that the sentence should read 'The changeover from IRb to IRa (vertical) occurs as the contralto changes from IRbl to IRbO (linear); her common note G acts as a pivot'.In answer to his second point on the pitch content of I14, IRb2, and R141 must explain that I meant only those notes that are shared by these three hexachords at bar 257.1 know that only Ia4 and IRb2 are completely identical; Ra4 contains only four of their notes and these are sounded at bar 257 (along with Ra4's two remaining notes). I made this point to emphasize the way in which Stravinsky continued to exploit the common features between two or more rows/hexachords as he had done in Threni. Perhaps I should have rephrased that particular sentence to make this point more clearly and to avoid any possible confusion.

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