2001
DOI: 10.1080/095023800110046632
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Like a Postcolonial Culture: Hong Kong Re-Imagined

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Cited by 39 publications
(17 citation statements)
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“…Hong Kong films in particular are notable for their hybridity, because they not only represent Hong Kong's hybrid culture [Cheung 2004: 268] but also export and market this hybridity locally, regionally and internationally [Erni 2001]. The image of Hong Kong beyond the territory is often influenced by this hybridity.…”
Section: Hong Kong's Everyday Hybriditymentioning
confidence: 99%
“…Hong Kong films in particular are notable for their hybridity, because they not only represent Hong Kong's hybrid culture [Cheung 2004: 268] but also export and market this hybridity locally, regionally and internationally [Erni 2001]. The image of Hong Kong beyond the territory is often influenced by this hybridity.…”
Section: Hong Kong's Everyday Hybriditymentioning
confidence: 99%
“…2. See Erni's overview of the socio-political and academic reorientations toward 'Hong Kong' and its 'cultural studies' since the historic administrative handover of Hong Kong to the PRC in 1997 (Erni 2001). 3.…”
Section: Everyday Lifementioning
confidence: 99%
“…Since the 1997 Handover of Hong Kong back to China, there is a growing identity crisis among Hong Kong people, enduring as China's influence grows. The notion of 'HongKongness' has emerged as a hot topic for public debate and cultural studies (Erni 2001). People are more interested in recalling from collective memories their growth and lifestyles before 1997, and contrasting them with those after, seeking to explore if those before 1997 could form part of the Hong Kong identity.…”
Section: Introductionmentioning
confidence: 99%