Liminal spaces: A review of the art in entrepreneurship and the entrepreneurship in art

Callander, Adrienne; Cummings, Michael

doi:10.1007/s11187-020-00421-0

Cited by 18 publications

(22 citation statements)

References 126 publications

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“…Design is a part of art and needs creative inspiration. One of the main motivations expressed in the academic literature in the emerging field of artistic entrepreneurship is the need to improve the entrepreneurial skills of artists (Callander and Cummings, 2020). The spatial narrative of designing innovation and entrepreneurial organization culture is to integrate entrepreneurship and corporate culture symbols into the space through visual presentation.…”

Section: Research Backgroundmentioning

confidence: 99%

Design Innovation and Entrepreneurship Organization Based on Psychological Cognitiveness of the Space Narrative

Zhang

2022

Front. Psychol.

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The high-quality workspace can be used as a physical carrier for design innovation and entrepreneurial organizational culture to continuously change the psychological cognition and behavior of employees in community of practice. The spatial narrative of the culture of design innovation and entrepreneurial organizations means to integrate entrepreneurship and organizational culture into the space through visual presentation. Whether the spatial narrative is successful or not needs to be judged by whether the change of people’s psychological cognition achieves the expected effect. The traditional qualitative research methods such as interviews and questionnaires cannot fully and accurately present the psychological cognitive mechanism of design Innovation and entrepreneurship organization members. We use virtual reality technology combined with electrophysiological technology to conduct experiments. We use these technologies to conduct quantitative experiments on psychological cognition in community of practice. This study will select a design innovation and entrepreneurial organization, randomly select 20 participants, and divide them into 2 groups for experimentation. The VR scene is based on their real office space as a prototype. Put the visual elements of corporate culture in one of the VR scenes. The other VR scene as a reference does not incorporate visual elements of organizational culture. Participants participated in the experiment in these two VR scenarios. There are many advanced devices that can accurately test individual psychological changes, but the ErgoLab man-machine environment test platform, can collect and compare these data [physiological data, electroencephalogram (EEG) data, and behavior data] in real-time and comprehensively, which is its advantage. According to the experimental results, judge the changes in the psychological cognitive data of the participants before and after the placement of the spatial narrative in design innovation and entrepreneurial organizations. The experiment combined interviews and questionnaires to ensure the authenticity of the quantitative data. The conclusion of the experiment will produce an accurate quantitative study on the psychological cognition of the spatial narrative of design innovation and entrepreneurial organizational culture. A sense of organizational belonging, collective sense, pride, mission, and work fun can be generated in the workspace.

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Section: Research Backgroundmentioning

confidence: 99%

Design Innovation and Entrepreneurship Organization Based on Psychological Cognitiveness of the Space Narrative

Zhang

2022

Front. Psychol.

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“…Despite the uneasy or unresolved theoretical relationship between art and markets—and therefore art and entrepreneurship—numerous scholars in arts administration have framed entrepreneurship as necessary to arts education (Bridgestock, 2012; Callander, 2019; Callander & Cummings, 2021; Essig, 2013, 2015; Essig & Guevara, 2016; Paulsen et al, 2020; Robinson & Novak-Leonard, 2021; Toscher, 2019; White, 2013, 2015, 2019). In some cases, this focus on arts entrepreneurship informs career pathways themselves (Toscher, 2019), including Cawsey’s (1995) work on “portfolio careers” and Lena and Henaut’s (2021) work on “polyoccupationalism.” In other cases, the entrepreneurial lens focuses on the arts ecosystem itself (White, 2019; Woronkowicz, 2021), including the systems by which the arts are funded (Wilkerson, 2012).…”

Section: Literature Reviewmentioning

confidence: 99%

Social Exclusion in the Arts: The Dynamics of Social and Economic Mobility Across Three Decades of Undergraduate Arts Alumni in the United States

Whitaker

Wolniak²

2022

Review of Research in Education

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This chapter presents a broad interdisciplinary literature review linking artists’ economic precarity and need for but resistance to entrepreneurial skills, alongside colonial histories, structural racism, and hierarchies of taste in arts organizations. These themes are complemented empirically by engaging data from the Strategic National Arts Alumni Project (SNAAP) to demonstrate indicators of attrition and privilege of arts alumni relative to their participation in the arts workforce. Meaningfully different associations across racial/ethnic groups are uncovered, showing structural exclusion of Black arts alumni in particular, in addition to other intersectional dynamics. This chapter underscores the importance of addressing student debt, the potential of creative pedagogies across the curriculum, and the need for imaginative approaches to renewed public funding of art and artists.

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“…In a recent piece in Small Business Economics (Callander and Cummings, 2021), we explore how scholars in arts and entrepreneurship research implicitly view the other domain. We also explore how understanding these self-identities and mental models of the other might encourage the integration of arts and entrepreneurship.…”

Section: What Our Research Tells Usmentioning

confidence: 99%

“…Another idea is to expand our current definitions of scholarly contribution. For example, many business schools have journal lists that specify what "counts" as a scholarly contribution (FT50, UT-Dallas), which is likely not the same as what "counts" for an arts faculty member (an exhibition, performance, or recording is Copyright © 2021 Adrienne Callander, Michael Cummings, Published by Entrepreneur & Innovation Exchange EIX.org (2021) DOI: 10.32617/718-61a0e96806248 (Callander & Cummings, 2021) Page 4 equivalent to publication). One way to partially address this issue is for home departments to recognize as legitimate a scholarly contribution that is recognized in a coauthor's home department-a formal reciprocity agreement of interdisciplinary scholarship.…”

Section: How Universities Can Helpmentioning

confidence: 99%

Building Bridges Between Artists and Business Entrepreneurs: Facilitating Creative Deviance

Cummings¹,

Callander²

2021

EIX

Self Cite

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Liminal spaces: A review of the art in entrepreneurship and the entrepreneurship in art

Cited by 18 publications

References 126 publications

Design Innovation and Entrepreneurship Organization Based on Psychological Cognitiveness of the Space Narrative

Design Innovation and Entrepreneurship Organization Based on Psychological Cognitiveness of the Space Narrative

Social Exclusion in the Arts: The Dynamics of Social and Economic Mobility Across Three Decades of Undergraduate Arts Alumni in the United States

Building Bridges Between Artists and Business Entrepreneurs: Facilitating Creative Deviance

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