2017
DOI: 10.1167/17.13.7
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Linear–nonlinear models of the red–green chromatic pathway

Abstract: The mean hue of flickering waveforms comprising only the first two harmonics depends on their temporal alignment. We evaluate explanatory models of this hue-shift effect using previous data obtained using L- and M-cone-isolating stimuli together with chromatic sensitivity and hue discrimination data. The key questions concerned what type of nonlinearity produced the hue shifts, and where the nonlinearities lay with respect to the early band-pass and late low-pass temporal filters in the chromatic pathways. We … Show more

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Cited by 5 publications
(15 citation statements)
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References 51 publications
(75 reference statements)
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“…Moreover, the ''chromatic'' parvocellular response may correspond to responses of single cones and their surrounds feeding back into the network. The nonlinearity that produces the second harmonic is likely to correspond to the half-wave rectification and partition of the photoreceptor signal into ON and OFF pathways that also occurs in the outer retina (see also Stockman, Henning, & Rider, 2017).…”
Section: Magnocellular Ganglion Cellsmentioning
confidence: 99%
“…Moreover, the ''chromatic'' parvocellular response may correspond to responses of single cones and their surrounds feeding back into the network. The nonlinearity that produces the second harmonic is likely to correspond to the half-wave rectification and partition of the photoreceptor signal into ON and OFF pathways that also occurs in the outer retina (see also Stockman, Henning, & Rider, 2017).…”
Section: Magnocellular Ganglion Cellsmentioning
confidence: 99%
“…The amplitude ratios for the other three combinations were predicted by our model ( 22 ) to produce large color shifts. The two-component stimuli ( i and ii ) were used, because they provide useful information about relative phase changes produced by the early filter in our model (to be discussed below); the results can be used to constrain the parameters of that filter ( 22 ). Combination iii (the first, third, and fourth harmonics) was chosen to examine the effect of high-frequency components—as we note below, the crucial component here is the fourth harmonic.…”
Section: Resultsmentioning
confidence: 63%
“…The amplitude ratio used in i was chosen to be consistent with our previous work ( 22 ), being the ratio of first and second harmonic components of the sawtooth waveforms used in that work. The amplitude ratios for the other three combinations were predicted by our model ( 22 ) to produce large color shifts.…”
Section: Resultsmentioning
confidence: 99%
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