2012
DOI: 10.1057/9781137004109
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Linguistics and the Study of Comics

Abstract: among many others. Closer to home, my research has been supported by the UNO English Department and College of Arts and Sciences. Time for reading and writing is very precious, and I am fortunate to work in an environment that promotes scholarship.

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Cited by 14 publications
(4 citation statements)
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References 23 publications
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“…Humor, irony, and satire are used to bring the humorous aspect of any situation to life. The use of language and extralinguistic tools is used to create comedy (Bramlett, 2012). They pointed out that satire is a type of humor in which scathing criticism and ridicule take precedence over malice, and it cannot exist without a funny episode, as the latter is not only a vehicle for satire, but also its purpose.…”
Section: Functions Of Rhetorical Strategies In Literature Workmentioning
confidence: 99%
“…Humor, irony, and satire are used to bring the humorous aspect of any situation to life. The use of language and extralinguistic tools is used to create comedy (Bramlett, 2012). They pointed out that satire is a type of humor in which scathing criticism and ridicule take precedence over malice, and it cannot exist without a funny episode, as the latter is not only a vehicle for satire, but also its purpose.…”
Section: Functions Of Rhetorical Strategies In Literature Workmentioning
confidence: 99%
“…Cohn (2007Cohn ( , 2010b ha acuñado el concepto de lenguaje visual para definir las características y condiciones humanas, innatas o formadas, que nos permiten leer y comprender construcciones artísticas de secuencias de imágenes. Cohn (2012) hace así una separación entre esas condiciones y el cómic, siendo este último una forma particular de manifestación y uso de este lenguaje.…”
Section: Los Estudios Sobre Cómics Y El Caso Colombiaunclassified
“…Para determinar la pertinencia de este material para el estudio de la distopía, fue necesaria una lectura profunda de los cómics, de modo que se pudieran estudiar en la totalidad del producto y no simplemente en el contenido de algunas de sus viñetas, siguiendo de algún modo lo planteado por Cohn (2007Cohn ( , 2012 y abordando cada cómic como un texto constituido en un contexto. Esto quiere decir que estudiamos la narrativa completa, la relación entre los textos de los bocadillos de diálogos, las imágenes dentro de las viñetas y otros elementos que nos permitiesen decir, con cierto grado de certeza, que una historia transcurre en la ciudad de Bogotá.…”
Section: Selección Del Materialsunclassified
“…At the turn of the century, there was a flurry of books that dealt with language in comics, such as Bongco (2000) on superheroes, Varnum and Gibbons's (2001) attempt to bring the semiotics studies prevalent in continental European comics studies to an English-language audience, and Saraceni's (2003) textbook, inspired by McCloud (1994). More recently, Bramlett (2012) has chapters on multilingualism, metaphor, identity and language representation in comics, while eschewing a major consideration of narrative. Cohn (2013) has developed a cognitivist-semiotics account of comics, which he has placed against the influential formalist semiotics account of Groensteen (2013).…”
mentioning
confidence: 99%