In this article we demonstrate how we created a context in which digital storytelling was designed and implemented to teach multilingual middle school students in the summer program sponsored by a local nonprofit organization, the Latin American Association, in a city in the southeastern United States. While implementing the notion of multiliteracies (New London Group, 1996) In this article we demonstrate how we applied the theoretical concept of multiliteracies to a pedagogical practice. We describe how we, three volunteer teachers from a university, engaged 12 adolescent multilingual students in the multiliteracies practice of digital storytelling (i.e., multimedia composing that consists of texts, images, and sounds to tell stories) during a summer program sponsored by the Latin American Association (LAA) in a city in the southeastern United States. Each summer, teacher candidates in our English to Speakers of Other Languages (ESOL) teacher education program offer individual tutoring to students at the LAA. In summer 2012, university faculty and the LAA staff members met to discuss goals to accomplish in our partnership in general and in tutoring in particular. During the meeting, the LAA staff asked us to make sure that our teacher candidates emphasized several critical issues during tutoring such as the importance of first language (L1) or heritage language development, positive identity construction, and 21st-century literacies development. We, two faculty members and a doctoral student, volunteered to design and teach a class in which these critical issues could be discussed with multilingual adolescent students, and the LAA staff members allowed us to design a class that could be part of their summer program. We set out to design the Digital Storytelling Class in order: (a) to examine how a theoretical framework (i.e., multiliteracies) could be translated into teaching multilingual adolescents; and (b) to create a context in which students could explore their multiple literacies and identities using multiple semiotic modes and resources (e.g., visuals, sound, gesture, gaze, and spatial concepts). In the following sections, we explain the theoretical framework that we drew on for designing and conducting our multiliteracies curriculum (i.e., digital storytelling lessons), followed by a detailed description of each session in which students engaged in digital storytelling practice. In the conclusion, we discuss how our pedagogical approach can be adapted to other ESL/EFL settings.