“…Utilizing sound 'as a medium, a tool, a narrative, a speculation and an intervention… a glitch and a malfunction', workshop participants collaboratively produced alterative sensory engagements with the digital and analogue noises of the city and, by doing so, created a counter-map of the city that let them sense the persistence of the past in the present. The project draws on the aleatory and indeterminate nature of postdigital aesthetics in a particular conjuncture, which we might think of as the continuum Wilson (2022) articulates in the prior article, providing the context for practicing critical media design (a component of which, I suggest, is literacy).…”