Little-Master Cups

Beazley, J. D.

doi:10.2307/625986

Cited by 13 publications

(6 citation statements)

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“…These figures are of a quite different order of magnitude from those in Crete, and cannot be explained away by recourse to the old argument about the hazards Raubitschek 1949;Thompson 1949. Information from Bather 1893Beazley 1932;1956;1971;Jeffrey 1955;1961: 68-78;1962;Langdon of survival. The sheer quantity of inscriptions must indicate that the habit of writing was more widespread in Attica when compared to Crete.…”

Section: Sources For Greek Writingmentioning

confidence: 92%

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The social context of literacy in Archaic Greece and Etruria

Stoddart

Whitley

1988

Antiquity

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In recent years much emphasis has been placed upon the effects of literacy in the transformation of the Mediterranean World between 800 and 400 BC. Alphabetic scripts have been seen by many, archaeologists and classicists alike, as one of the key factors that made many of the achievements of Mediterranean, particularly Greek, thought and culture possible. Alphabetic scripts encouraged widespread literacy, and widespread literacy was the necessary condition for what remains distinctive in Ancient Greek culture, namely the development of History, Philosophy and speculative Natural Science. Murray (1980: 96) is typical in his view that ‘Archaic Greece was a literate society in the modern sense.’ The work of Goody & Watt (1963) has done much to advance the view that many of the achievements of Mediterranean Society can be ascribed to, if not entirely explained by, this ‘technology of the intellect’. Their ‘autonomous model’ however, as Cartledge (1978: 37) has observed, comes dangerously close to technological determinism.

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Section: Sources For Greek Writingmentioning

confidence: 92%

“…Here we will consider a particular class of Attic pottery, the so-called 'Little Master' cups (Beazley 1932). It is thought that these cups were used in symposia, aristocratic male drinking parties.…”

Section: Atticamentioning

confidence: 99%

The social context of literacy in Archaic Greece and Etruria

Stoddart

Whitley

1988

Antiquity

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“…Outros exemplares de taças atribuídas a esta sub-variante estão depositados no Technical Museum de Cracóvia 1008 , no Museo Archeologico Nazionale de Taranto 1009 e no Musee du Louvre, em Paris 1010 , mencionando apenas alguns exemplos. Todos os vasos referidos exibem uma banda decorada com motivos 1003 Sobre a forma vide Beazley (1932) «Little-Master Cups», pp. 167-168; Moore & Philippides, 1986, p.64;Boardman, 1974, nº 109, 116;Cook, 1997, 3ª ed., p. 79, entre outros.…”

Section: Estilo áTico Deunclassified

A cerâmica grega na fachada atlântica da Península Ibérica

Ferreira¹

2022

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É autora, coautora e coeditora de vários livros, capítulos de livros, artigos em publicações científicas, posters e comunicações em conferências. Colaborou na organização de várias exposições de arqueologia e congressos nacionais e internacionais. Integrou vários projetos de investigação em Arqueologia e atualmente desempenha funções como Professora Auxiliar Convidada na Faculdade de Letras da Universidade do Porto. AGRADECIMENTOSO meu sincero agradecimento constitui um preito de gratidão e de homenagem sentida a todos os que me acolheram, orientaram e apoiaram, permitindo a concretização do presente estudo e a minha realização pessoal. Cumpre-me distinguir, em primeiro lugar, o contributo de todos os museus, organizações locais e demais instituições culturais que possibilitaram a observação e a análise dos materiais gregos, revelando uma imediata disponibilidade e um notável espírito de cooperação científica. A sua importância assume, no caso presente, uma valia tão significativa que, sem eles, teria sido impraticável chegar a qualquer resultado digno de menção. Deixo ainda uma sentida palavra de agradecimento pelas constantes palavras de incentivo e pelos sábios conselhos ao corpo docente do

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“…To clarify, each of the three groups ( ABV 170–3) has at least one cup signed ΣΑΚΟΝΙΔΕΣΕΓΡΑΦΣΕΜΕ, though none of them share the same ‘style’. Sakonides was a ‘Little Master’ cup painter (Beazley (1932)).…”

mentioning

confidence: 99%

Style and Personhood: The Case of the Amasis Painter

Whitley

2018

Camb. class. j.

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For archaeologists discussion of style is unavoidable. Within classical archaeology ‘style’ is closely associated with connoisseurship as practised by J. D. Beazley. Style identifies individuals, artistic personalities such as the Amasis Painter. This notion of style necessarily overlaps with another debate within both anthropology and prehistoric archaeology (personhood) which also touches on an older discussion within classical studies. These two debates have remained strangers to each other. The article explores these issues in relation to the iconography of hares and arming scenes. Notions of personhood and agency force us to re-evaluate such iconography and its effectiveness as narrative.

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Little-Master Cups

Cited by 13 publications

References 1 publication

The social context of literacy in Archaic Greece and Etruria

The social context of literacy in Archaic Greece and Etruria

A cerâmica grega na fachada atlântica da Península Ibérica

Style and Personhood: The Case of the Amasis Painter

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