2004
DOI: 10.1080/00140130310001629739
|View full text |Cite
|
Sign up to set email alerts
|

Localizable auditory warning pulses

Abstract: Three important forms of information available to the listener may be identified in any auditory warning: what (semantic), where (location) and when (perceived urgency). Each form is addressed in the present design study of auditory warning pulses. Recordings were made via a dummy head, and were presented dichotically to listeners in a left/right localization task. The first experiment identified a suitable notched noise component for providing location information in the pulse stimulus. The second experiment … Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1

Citation Types

0
25
0

Year Published

2008
2008
2024
2024

Publication Types

Select...
7
2

Relationship

0
9

Authors

Journals

citations
Cited by 40 publications
(25 citation statements)
references
References 55 publications
0
25
0
Order By: Relevance
“…Meanwhile, other researchers have reported favourably on the potential use of directional sounds in confined spaces (e.g. Doyle and Snowden 1999, Catchpole et al 2004. Finally, it often takes time for interface operators to learn the arbitrary association between a particular auditory earcon and the appropriate response, as the perceived urgency is transmitted by the physical characteristics of the warning signal itself (such as the rate of presentation, the fundamental frequency of the sound and/or its loudness, etc.…”
mentioning
confidence: 96%
“…Meanwhile, other researchers have reported favourably on the potential use of directional sounds in confined spaces (e.g. Doyle and Snowden 1999, Catchpole et al 2004. Finally, it often takes time for interface operators to learn the arbitrary association between a particular auditory earcon and the appropriate response, as the perceived urgency is transmitted by the physical characteristics of the warning signal itself (such as the rate of presentation, the fundamental frequency of the sound and/or its loudness, etc.…”
mentioning
confidence: 96%
“…Much of the research in this area continues to focus on the question of how to design warning signals that are both localisable and meaningful, while at the same time have the right level of perceived urgency (and are presented at the right time) for a variety of application domains (e.g. for everything from the car to the cockpit; Arrabito et al 2004, Catchpole et al 2004, Ho and Spence 2005. The importance of such developments is highlighted by the results of the recent 100-car naturalistic driving study (see Klauer et al 2006), in which it was found that 78% of all crashes and 65% of all nearmisses observed during the year-long study involved the driver looking away from the forward roadway in the moments just prior to the incident.…”
mentioning
confidence: 99%
“…Very generally speaking, the more harmonically dense a sound is, the easier it will be both to localize and to provide resistance to masking. The small amount of research specifically concerning the localizability of alarm sounds which does exist (Alali, 2011;Vaillancourt, Nélisse et al, 2013;Catchpole, McKeown & Withington, 2004 demonstrates that more harmonically rich and dense sounds produce better localization, or fewer errors in localization. Broadband noise performs particularly well.…”
Section: Introductionmentioning
confidence: 99%