2003
DOI: 10.1353/scu.2003.0041
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Locals on Local Color: Imagining Identity in Appalachia

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Cited by 13 publications
(3 citation statements)
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“…The construction of an Appalachian identity and its exaggerated stereotype as being physically isolated, backwards, and timeless compared to the remaining modern United States has been recorded since the American Civil War (1861-1865) (Algeo, 2003). This descriptive word entails more than a geographic location and to some represents a marker for a culture with disparaging implications.…”
Section: Discussionmentioning
confidence: 99%
“…The construction of an Appalachian identity and its exaggerated stereotype as being physically isolated, backwards, and timeless compared to the remaining modern United States has been recorded since the American Civil War (1861-1865) (Algeo, 2003). This descriptive word entails more than a geographic location and to some represents a marker for a culture with disparaging implications.…”
Section: Discussionmentioning
confidence: 99%
“…While members of a community might share traits or characteristics that lend themselves to being defined as singular units of identity, marginalized community members may deal with in-group conflict differently (Tajfel and Turner, 1979;Haslam et al, 2001;Usborne and Taylor, 2010). For example, Huse and Wendorf Muhamad (2018) examined the social identification of Appalachians, a cultural group within the United States who have been marginalized and stereotyped as unintelligent hillbillies (Billings et al, 1999;Algeo, 2003;Tighe, 2007;Cooke-Jackson and Hansen, 2008;Wood and Hendricks, 2009). In order to address these stereotypes associated with Appalachia, Appalachians strived toward positive distinctiveness by either promoting the positive attributes of the community or by disassociating from the group entirely (Huse and Wendorf Muhamad, 2018).…”
Section: Sit and Managing Unintended Consequences In Cbprmentioning
confidence: 99%
“…Even when representations of Appalachia do enter the cultural-historical discourse in academia or in the media, African Americans are rarely inscribed into the social heritage of this region-this erasure can be traced through iconic popular media, such as Academy Award winning films such as Coal Miner's Daughter (1980) andHarlan County USA (1976) to contemporary television series, such as Justified (2010)(2011)(2012)(2013)(2014)(2015) and Kentucky Justice (2013-). In spite of its diversity, depictions of Appalachian culture are primarily constructed through the gaze of outsiders who are in search of the iconic white, poor, toothless, backwards mountaineer (Algeo, 2003 One of the purposes of EKAAMP is to provide a space for these invisible subjects to inscribe themselves in the institutional archives so they will not be written out of history. Before grappling with the specifics of EKAAMP, I turn to two conceptual frameworks, one theoretical and one historical, to help contextualize this project within the broader discourse on the archive.…”
Section: Seeing In-visiblementioning
confidence: 99%