“…There is now a wealth of literature showing how fieldwork -commonly regarded "the sine qua non of the geographer" (Dummer et al, 2008, p. 459; see also Fuller et al, 2006;France & Haigh, 2018) -enables students to develop a better understanding of concepts by linking them to their own experience, while also encouraging them to modify or evaluate their previous ideas or knowledge through critical reflection (Dummer et al, 2008;Hovorka & Wolf, 2009;May, 1999;Oost et al, 2011). The use of visual materials -photos, videoclips (Ferretti, 2009), movies (Ansell, 2002;Sigler & Albandoz, 2014), documentaries (Hay, 2017) -has similarly been said to facilitate more active and deep learning, especially if it goes beyond passive watching (Di Palma, 2009) and includes the creative process of producing photo(s) (Sanders, 2007;Van Melik & Ernste, 2019) or a video (Anderson, 2013a(Anderson, , 2013bMavroudi & Jöns, 2011). As it has been argued, in the creative process of imagemaking students are made to "look with intention" (Van Melik & Ernste, 2019) and to reflect on the way they want to represent geographic meaning about people and places (Lonn & Teasley, discussed by Anderson, 2013b; see also Dando & Chadwick, 2014;Sanders, 2007).…”