Losing "A Letter": The Contexts of Coleridge's "Dejection"

Tyler, Luther

doi:10.2307/2872844

ELH

1985

DOI: 10.2307/2872844

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Losing "A Letter": The Contexts of Coleridge's "Dejection"

Luther Tyler¹

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Radical Similarity: Wordsworth, Coleridge, and the Dejection Dialogue

Ulmer¹

2009

elh

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For most critics, the poems of Wordsworth and Coleridge's Dejection Dialogue--the "Immortality Ode," the "Letter" to Sara, and "Resolution and Independence"--reveal the poets disagreeing vehemently over the epistemological relationship of mind and nature. My essay argues conversely that Wordsworth and Coleridge cannot be segregated along an inner/outer perceptual axis, and that Coleridge's engagement of the Ode confirms and extends its leading claims. As reinterpreted here, the Dejection Dialogue sequence belies theories of poetic influence as a subject-centered rivalry, and thereby accommodates our increasing appreciation on the non-proprietary Grasmere culture in which Wordsworth and Coleridge actually produced their work.

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Radical Similarity: Wordsworth, Coleridge, and the Dejection Dialogue

Ulmer¹

2009

elh

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Double Bonds: Charles Lamb's Romantic Collaborations

Hickey¹

1996

elh

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Losing "A Letter": The Contexts of Coleridge's "Dejection"

Cited by 2 publications

References 0 publications

Radical Similarity: Wordsworth, Coleridge, and the Dejection Dialogue

Radical Similarity: Wordsworth, Coleridge, and the Dejection Dialogue

Double Bonds: Charles Lamb's Romantic Collaborations

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