2001
DOI: 10.1109/79.939834
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Lossless compression of digital audio

Abstract: The first part of this paper surveys and classifies the best performing currently available lossless compression algorithms for stereo-CD-quality digital audio signals sampled at 44.1 kHz and quantized to 16 bits. This study finds that these algorithms appear to have r eached a limit in compression that is very modest compared to what can be achieved with lossy audio coding technology. With this limit as a target, we designed a computationally efficient algorithm for lossless audio compression (which we call A… Show more

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Cited by 98 publications
(43 citation statements)
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“…Hans and Schafer [3] present an overview of lossless data compression in the context of audio data. Barr and Asanovi´c show in [4] that the energy required for transmitting a bit can be equivalent to the energy consumption of a thousand microcontroller operations.…”
Section: Related Workmentioning
confidence: 99%
“…Hans and Schafer [3] present an overview of lossless data compression in the context of audio data. Barr and Asanovi´c show in [4] that the energy required for transmitting a bit can be equivalent to the energy consumption of a thousand microcontroller operations.…”
Section: Related Workmentioning
confidence: 99%
“…Hans and Schafer [4] present an overview of lossless data compression in the context of audio data. With the emergence of many severely energyconstrained application domains, such as various forms of sensor networks, the topic of energy efficiency is becoming increasingly important.…”
Section: Background and Related Workmentioning
confidence: 99%
“…If this predictable component is removed, the residual signal will be smaller and so need fewer bits to represent. To take advantage of this redundancy, lossless audio compression algorithms generally incorporate two functional blocks (Hans and Schafer, 2001): A filter and a coder. The filter removes most of the inter-sample correlation by subtracting a prediction of the current sample obtained by filtering prior samples, i.e., by forming a residual signal…”
Section: A Lossless Audio Compressionmentioning
confidence: 99%
“…The success of a relatively simple lossless compressor, SHORTEN (Robinson, 1994), spurred the development of more sophisticated compressors such as FLAC and WAVPACK, which are now included in media players and multi-format data compression programs. These algorithms share the same basic structure (Hans and Schafer, 2001;Solomon, 2006) compressing sound by first removing the correlation between adjacent samples and then by efficiently coding the residual. But the need to adapt to a wide variety of music increases the complexity of these programs.…”
Section: Introductionmentioning
confidence: 99%