<em>Filega</em>/In Search: Embodying Community in Ethiopia

Abstract

This paper offers a decolonial reading of Filega, an annual grassroots street performance organized by Ethiopian dance artist Melaku Belay in the context of an Orthodox Christian religious festival Timket. Our contextualized reading illuminates Ethiopian artists’ capacity to create beauty, joy and community; they do so by disrupting the dichotomies between discipline and freedom, the sacred and the profane. Filega’s decolonial significance also lies in its potential to transform public spaces and collective memories in service of community. In constructing this paper, we seek to decolonize our writing practice by unsettling the theory/practice dichotomy, and by experimenting with modes of co-authorship. Along with Filega participants and witnesses, we search for decolonized understandings of self, community, and discipline.