1999
DOI: 10.1117/12.344669
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<title>Noninvertible watermarking methods for MPEG-encoded audio</title>

Abstract: Nowadays the multimedia technology in distributed environments becomes realistic and the multimedia copyright protection issue becomes more and more important. Various digital watermarking techniques have been proposed in recent years as the methods to protect the copyright of multimedia data. Although, conceptually, these techniques can be easily extended for protecting digital audio data, it is challenging to apply these techniques to MPEG Audio streams because we need to design the watermarking schemes work… Show more

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Cited by 41 publications
(23 citation statements)
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“…For example in [5], due to the lossy quantization, scale factors tend to change in the re-coding causing the watermark to be damaged. In MP3Stego, bit allocation is not done according to the MPEG audio standard but mandatorily controlled by the embedding algorithm for the bits embedding.…”
Section: Robust Featurementioning
confidence: 99%
See 1 more Smart Citation
“…For example in [5], due to the lossy quantization, scale factors tend to change in the re-coding causing the watermark to be damaged. In MP3Stego, bit allocation is not done according to the MPEG audio standard but mandatorily controlled by the embedding algorithm for the bits embedding.…”
Section: Robust Featurementioning
confidence: 99%
“…But the robustness performance is poor. In [5] the watermark bits were embedded into the scaling factors. But they were not robust to decoding/reencoding.…”
Section: Introductionmentioning
confidence: 99%
“…Conversely, the watermarking operations can be integrated into the bit stream decoding process [5] taking the bit stream as input and PCM samples as output. For embedding, scale factors for frequency subbands can be modified, where each watermark chip after spreading is embedded in an AAC-block rather than in a single scale factor as in [8].…”
Section: Introductionmentioning
confidence: 99%
“…The embedded watermark information can be removed by decompressing the bit stream and then recompressing it. Qiao [15] proposes a watermarking scheme to embed watermarks in the compressed domain, but the original audio stream must be presented in the verification process. So far there is no any watermarking method for WT synthesis audio.…”
Section: Introductionmentioning
confidence: 99%