2023
DOI: 10.1016/j.jas.2023.105772
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Making and working Egyptian blue – a review of the archaeological evidence

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Cited by 8 publications
(2 citation statements)
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“…EB was rst used in ancient Egypt around 3300 − 3200 BCE as an alternative to the precious lapis lazuli stone (Shortland 2012). Due to its durability and its bright blue colors, it quickly gained widespread popularity, becoming the main blue pigment used for millennia in the Mediterranean and Western Asian regions (Kovalev et al 2023). Very popular in Rome as caeruleum, EB was widely used in Roman frescoes reaching possibly its highest diffusion at the end of the rst century CE (Nicola et al 2023).…”
Section: Egyptian Bluementioning
confidence: 99%
“…EB was rst used in ancient Egypt around 3300 − 3200 BCE as an alternative to the precious lapis lazuli stone (Shortland 2012). Due to its durability and its bright blue colors, it quickly gained widespread popularity, becoming the main blue pigment used for millennia in the Mediterranean and Western Asian regions (Kovalev et al 2023). Very popular in Rome as caeruleum, EB was widely used in Roman frescoes reaching possibly its highest diffusion at the end of the rst century CE (Nicola et al 2023).…”
Section: Egyptian Bluementioning
confidence: 99%
“…Se trata de un compuesto de sílice, cal y cobre, conocido como "azul egipcio". La fórmula de este pigmento sintético, quizá el más antiguo que conocemos (Riederer 1997;Pages-Camagna et al 1999;Hatton et al 2008), nos ha llegado gracias a la receta que nos legó Vitruvio en su Architectura (Criado Portal et al 2011), donde detalla cómo se realizaba en Alejandría fundiendo sílice, calcio, cobre y otras sustancias; como es natural, según el propio proceso de fabricación, las proporciones de los diferentes ingredientes, la temperatura a la que se somete la fusión, en torno a los 900/1000ºC, o la capacidad y estructura del horno donde se lleva a cabo el proceso, la tonalidad puede variar (Kovalev et al 2023). En el caso que nos ocupa, el azul es de gran intensidad por el mayor componente de azurita, cuando por norma general suele utilizarse un azul más suave que se asemeja a la tonalidad celeste.…”
Section: Análisis De Los Pigmentosunclassified