Cultural Ways of Worldmaking 2010
DOI: 10.1515/9783110227567.189
|View full text |Cite
|
Sign up to set email alerts
|

Making Events – Making Stories – Making Worlds: Ways of Worldmaking from a Narratological Point of View

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1

Citation Types

0
5
0
1

Year Published

2015
2015
2023
2023

Publication Types

Select...
4
3
1

Relationship

0
8

Authors

Journals

citations
Cited by 24 publications
(6 citation statements)
references
References 0 publications
0
5
0
1
Order By: Relevance
“…The narrative form in general is seen to have an especially powerful potential regarding the making of worlds. The main reason for this is that the narrative and storytelling -that is, the procedures and processes through which happenings, occurrences or incidents become meaningful events, stories and story-worlds -not only generate possible worlds but also exert performative power (Neumann and Zierold 2010, Nünning 2010, Nyqvist 2018. As Birgit Neumann and Martin Zierold hold:…”
Section: Tensions and Tenacitiesmentioning
confidence: 99%
“…The narrative form in general is seen to have an especially powerful potential regarding the making of worlds. The main reason for this is that the narrative and storytelling -that is, the procedures and processes through which happenings, occurrences or incidents become meaningful events, stories and story-worlds -not only generate possible worlds but also exert performative power (Neumann and Zierold 2010, Nünning 2010, Nyqvist 2018. As Birgit Neumann and Martin Zierold hold:…”
Section: Tensions and Tenacitiesmentioning
confidence: 99%
“…Although there is broad consensus by now that narratives are of great importance for the ways in which we make sense of our experiences and the world, neither narrative theory nor the study of culture have been much concerned with the ways in which events, stories, and fictional or real worlds are made, or with the functions that various forms of cultural worldmaking can fulfil (see Nünning 2010). Narratives are at work in processes such as identity formation, the forging of communities and nations, the negotiation and dissemination of norms and values, and the fabrication of storied versions of 'the world.'…”
Section: Exploring Cultural Ways Of Worldmaking As a Paradigm For Thementioning
confidence: 99%
“…Note: For this essay I have drawn on and adapted some ideas and formulations that were first broached or developed in earlier articles (see especially Nünning 2010Nünning , 2012Nünning , 2014 and in passages that I contributed to introductions of co-edited volumes (see, e.g., Baumbach, Michaelis, and Nünning 2012;Nünning 2010, 2018). Sections 7 and 10 are largely based on a reframed summary of Nünning (2014), from which several ideas and passages have been adapted and only slightly rephrased.…”
mentioning
confidence: 99%
“…Ansgar Nünning reminds us that '[w]hen the philosopher Nelson Goodman coined the felicitous term "ways of worldmaking", he was mainly concerned with the claim that the world we know is always already made "from other worlds".' 11 This applies to fictional worlds as well: any kind of narrative is usually connected to a basis outside that narrativeeither in the real world or in other fictionsand then 'built into a world' (193). Quantum physics comes in at the most basic ontological level.…”
mentioning
confidence: 99%