More-than-representational approaches to sound, place, and experienceResearch on sound and music in cultural geography has emerged in the wake of growing attention to more-than-representational aspects of social and spatial practices. This framework offers significant theoretical and methodological openings into our everyday worlds, for, as Anderson and Harrison (2010, p. 8) point out, 'what is being described here is a concern with and attention to emergent processes of ontogenesis, how bodies are actualised and individuated through sets of diverse practical relations'. Originating in the 1990s with Nigel Thrift's (2008) work on non-representational theories at Bristol University's School of Geographical Sciences, more-than-representational theories have had a significant impact on various disciplinary fields, especially that of cultural geography, and these theorizations continue to evolve. Currently, there is an ongoing discussion of the paradoxical naming of such conceptual tools, (here we refer to the non-, the more-than) and criticisms that the prefixes that seek to overcome the reductionist constraints of representation through their negation of representation, are strangely undermined and ineffective by their vagary (Harrison, forthcoming). Harrison in relation to the indeterminate neutrality of 'non-' exhorts that 'marrow must be added to its bones, heat to its blood' (forthcoming). It is here that we agree that these theories not only enable us, but compel us to make a contribution to the literature that seeks to understand the politics of everyday life. For the authors of this volume, more-than representational theory offers a rich framework and a generosity of approach; 'an umbrella term for diverse work that seeks to better cope with our self-evidently morethan-human, more-than-textual, multisensual worlds' (Lorimer 2005, p. 3).One of the aims of this book is to contribute to the development of theoretical and conceptual application of these approaches which involve a stronger focus on the spaces across which everyday life unfolds. For those of us exploring the sonic world-a world often difficult to capture in text form-the morethan-representational helps us to conceptualize, capture, be affected by and