Man with a Movie Camera (SU 1929) under the Lens of Cinemetrics

Heftberger, Adelheid; Tsivian, Yuri; Lepore, Matteo

doi:10.7767/muk.2009.55.3.61

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The Visualization Of Time-based Media1

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Cited by 2 publications

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“…12 min at a projection speed of 18fps). For his film "Man with a Movie Camera," Vertov had intentionally added clear markers for the start and end of each reel following a distinct pattern, as Yuri Tsivian and myself have investigated (Heftberger 2009). When analyzing his films, it proved necessary to take these reel divisions into account and their relation not only to the structure of the film as a whole but also to the individual shots.…”

Section: The Visualization Of Time-based Mediamentioning

confidence: 99%

Materiality and Montage: Film Studies, Digital Humanities and the Visualization of Moving Images

Heftberger¹

2019

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In this paper, I will highlight some recent initiatives in the study of film within the digital humanities, in which context I will also present some of my own endeavors, specifically visualizations created in collaboration with the pioneering new media theorist Lev Manovich from films made by the Soviet avant-garde director Dziga Vertov (1896-1954). Following this, I will discuss some of the issues related to the use of visualizations as an aid to scholarly research. Finally, I will address a number of possible research questions in film and media studies, answers to which may benefit significantly from the collaboration between film/media scholars and computer scientists on the one hand, and (moving image) archivists on the other.

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Section: The Visualization Of Time-based Mediamentioning

confidence: 99%