This paper aims to automatically generate a summary of an unedited video, guided by an externally provided music-track. The tempo, energy and beats in the music determine the choices and cuts in the video summarization. To solve this challenging task, we model video summarization as a quadratic assignment problem. We assign frames to the summary, using rewards based on frame interestingness, plot coherency, audio-visual match, and cut properties. Experimentally we validate our approach on the SumMe dataset. The results show that our music guided summaries are more appealing, and even outperform the current state-of-the-art summarization methods when evaluated on the F1 measure of precision and recall.
CCS CONCEPTS
INTROThe goal of this paper is to create high-quality video summarizations, guided by an externally provided music-track. Consider for example that after a day of skiing with your GoPro camera, you re ect your mood by selecting a music-track and the computer will automatically create a video summary of your skiing day tted on this speci c music-track. Clearly a summary with classical music should have di erent dynamics, plots, and cuts than a summary based on funk music, even when the summaries are created from Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for pro t or commercial advantage and that copies bear this notice and the full citation on the rst page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior speci c permission and/or a fee. Request permissions from permissions@acm.org. ICMR '17, Bucharest, Romania The key key factors used in our music-guided summarization model are illustrated in Fig. 1. We are inspired by a large body of research focused on video summarization, either using only the visual source video [5, 8, 11-13, 18, 22], or combining multiple video modalities [4,10,20]. In contrast to these works, we aim to create a video summary tted on a given music-track, which to the best of our knowledge has never been considered before.