2019
DOI: 10.18089/tms.2019.15si05
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Mapping intangibilities in creative tourism territories through tangible objects: a methodological approach for developing creative tourism offers

Abstract: What can people express about their places through the objects that they valorise and link to their territory? Can objects create narratives about a place's identity and collect significant cultural information that locate people in their places? Can such cultural mapping be a useful tool in the design of creative tourist offers? The Project CREATOUR held a series of Idea Laboratories with several entities that provide creative tourism experiences, approaching cultural mapping through objects as a tool for reg… Show more

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Cited by 16 publications
(17 citation statements)
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“…The three-day fieldwork was performed to wander the village and tag these locations as well as locate other physical facilities that support creativity, such as schools, mosques, etc. Subsequently, the data were organized with 'Arc GIS' to construct a map that informs the location of each tourism facility (Tooth, 2015;Cabeça, et al, 2019).…”
Section: Methodsmentioning
confidence: 99%
See 1 more Smart Citation
“…The three-day fieldwork was performed to wander the village and tag these locations as well as locate other physical facilities that support creativity, such as schools, mosques, etc. Subsequently, the data were organized with 'Arc GIS' to construct a map that informs the location of each tourism facility (Tooth, 2015;Cabeça, et al, 2019).…”
Section: Methodsmentioning
confidence: 99%
“…There are four major approaches to measuring creativity, namely environment, product, process, and person (Taylor, 1988), which originally developed in psychology science and treated creativity as a quality of mind. However, some scholars in human geography and sociology have used these approaches to measure social and economic phenomena (Jarábková and Marián, 2013;Oman et al, 2012;Cabeça, 2019). This research continued the endeavor by using the four dimensions as a tool to identify amenities associated with creative class, which Florida proposed as factors desired to achieve creativity in individuals, including quality experience, productivity, and tolerance (Florida 2014a;Florida 2014b;Milligan, 2013).…”
Section: Rural Tourism As Creative Tourismmentioning
confidence: 99%
“…In the IdeaLabs, a participatory cultural mapping methodology promotes SEE goals of creating place-based sustainability through developing activities that are grounded in tangible and intangible local cultural, social and environmental resources (see, e.g. Cabeça et al , 2019). Two important steps towards promoting local development through cultural resource activation were: raising awareness and explicitly recognizing the importance of local everyday life and the distinctiveness of a place in defining local cultural resources; and encouraging the incorporation of these interpretations of local culture into place-distinctive creative tourism products. …”
Section: Creatour Idealabs and Complementary Approachesmentioning
confidence: 99%
“…Creatour Azores was the first integrated research-and-application project to advance the study of creative tourism in island regions of Portugal. Running between April 2019 and December 2022, the project built upon the research model developed and implemented from 2016-2020 by the Creatour Portugal (CP) project, which developed pilot projects throughout the Portuguese Mainland (Cabeça et al, 2018;Gato et al, 2020;Gonçalves et al, 2020;Remoaldo et al, 2020). The project was coordinated by the Observatory of Tourism of the Azores (OTA) and the University of the Azores, in partnership with the Centre for Social Studies (CES) of the University of Coimbra.…”
Section: Introductionmentioning
confidence: 99%