“…The oscillation between two contradictory, but crucial, threads of Gypsies' 'be-longing' -home and musicianship, otherness and sameness (e.g. Theodosiou, 2004Theodosiou, , 2007Theodosiou, , 2008) -is best explicated through their musical performances; those are citational and repetitive practices, culturally and socially specific, deeply embodied, simultaneously individual and collective, conveying connections and interrelations between people, places and music. It is through them and in them, to borrow Sarah Ahmed's (2004) insight, that 'free floating emotions' -the intensity and intimacy of shared affect -come to be attached to particular relations/'objects'.…”