2010
DOI: 10.1007/s10601-010-9101-4
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Markov constraints: steerable generation of Markov sequences

Abstract: Markov chains are a well known tool to model temporal properties of many phenomena, from text structure to fluctuations in economics. Because they are easy to generate, Markovian sequences, i.e. temporal sequences having the Markov property, are also used for content generation applications such as text or music generation that imitate a given style. However, Markov sequences are traditionally generated using greedy, left-to-right algorithms. While this approach is computationally cheap, it is fundamentally un… Show more

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Cited by 74 publications
(39 citation statements)
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“…Chan, Potter, and Schubert (2006) design rules from music theory to use music clips to stitch them together in a reasonable way. With the development of machine learning and the increase of public music data, data-driven methods such as Markov chains model (Pachet and Roy 2011) and graphic model (Pachet, Papadopoulos, and Roy 2017) have been introduced to compose music. Recently, deep learning has been revealed the potentials for musical creation.…”
Section: Related Workmentioning
confidence: 99%
“…Chan, Potter, and Schubert (2006) design rules from music theory to use music clips to stitch them together in a reasonable way. With the development of machine learning and the increase of public music data, data-driven methods such as Markov chains model (Pachet and Roy 2011) and graphic model (Pachet, Papadopoulos, and Roy 2017) have been introduced to compose music. Recently, deep learning has been revealed the potentials for musical creation.…”
Section: Related Workmentioning
confidence: 99%
“…Another possible constraint consists in generating sequences respecting a given structure (i.e., controlling how chords repeat along the sequence). The idea of constraining some chords along the generation process has also been explored by [14,10]. The structure constraint is interesting in our context of transformation since it enables the conservation of the harmonic structure of the template piece.…”
Section: Chord Sequence Generationmentioning
confidence: 99%
“…The description of these techniques is outside the scope of this paper and the interested reader is referred to Pachet and Roy (2011) and Roy and Pachet (2013). The project has produced novel techniques to solve this problem in the sequential domain.…”
Section: Musical Creativity: Its Elusive Naturementioning
confidence: 99%