2020
DOI: 10.14296/1120.9781912702251
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Masculinity and Danger on the Eighteenth-Century Grand Tour

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Cited by 6 publications
(2 citation statements)
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“…The decision of Q's friends' to accompany him to his quest journey proves their love and devotion to him even further, which is an element found in many come-of-age stories. In the 18 th and 19 th century the sons of noble families of Europe used to take a long journey of knowledge and adulthood, known as Grand Tour, mainly to Italy, the Ottoman empire (they preferred Greece for its glorious ancient past) and the Middle East (Goldsmith, 2020). The journey of Quentin and his friends in the paper town to meet Margo constitutes their entrance to adulthood.…”
Section: Paper Towns (2015)-the Image Of the Loser Teenagermentioning
confidence: 99%
“…The decision of Q's friends' to accompany him to his quest journey proves their love and devotion to him even further, which is an element found in many come-of-age stories. In the 18 th and 19 th century the sons of noble families of Europe used to take a long journey of knowledge and adulthood, known as Grand Tour, mainly to Italy, the Ottoman empire (they preferred Greece for its glorious ancient past) and the Middle East (Goldsmith, 2020). The journey of Quentin and his friends in the paper town to meet Margo constitutes their entrance to adulthood.…”
Section: Paper Towns (2015)-the Image Of the Loser Teenagermentioning
confidence: 99%
“…31 Sarah Goldsmith's recent work on masculine danger and the Grand Tour highlights how the European rite of passage was meant to prepare and expose elite young men's bodies to danger and physical exercise. 32 The proper deportment and manners of a gentleman was embodied in elite men's balance of gentlemanly poise and manly power, as Joanne Begiato has shown. 33 Each of these definitions is preoccupied with ideas of performance; to 'make a figure' in the eighteenth-century world was to ascribe to, and perform, a certain set of expectations and characteristics in a heteronormative and patriarchal society.…”
Section: Making a Figure In Eighteenth-century Culturementioning
confidence: 99%