2016
DOI: 10.1177/0255761414563196
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Mastery, enjoyment, tradition and innovation: A reflective practice model for instrumental and vocal teachers

Abstract: This article offers a model to assist music teachers in reflecting on their teaching practice in relation to their aims and values. Initially developed as a workshop aid for use on a music education MA program, the model is intended to provoke critical engagement with two prominent tensions in music education: that between mastery and enjoyment, and that between tradition and innovation. The experiential and theoretical bases of the model are discussed, and literature relating to the theoretical issues is revi… Show more

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Cited by 10 publications
(15 citation statements)
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“…Only when teachers have an innovative spirit can they correctly evaluate students and thus stimulate students' innovative ability. [6] To improve the music teachers' own sense of innovation and innovation requires a spirit of daring to be the first. Whether it is teaching methods or teaching methods, it must be innovative, and it must not be clouded.…”
Section: Improve the Creative Consciousness And Innovative Ability Ofmentioning
confidence: 99%
“…Only when teachers have an innovative spirit can they correctly evaluate students and thus stimulate students' innovative ability. [6] To improve the music teachers' own sense of innovation and innovation requires a spirit of daring to be the first. Whether it is teaching methods or teaching methods, it must be innovative, and it must not be clouded.…”
Section: Improve the Creative Consciousness And Innovative Ability Ofmentioning
confidence: 99%
“…In addition, at present, the application research of constructivism in music teaching only stays in the superficial change, and has not touched the deeper research results. In the practice of piano teaching, it is difficult to put forward very good suggestion [9]. Quite a few countries have applied constructivism widely in the practice of piano research.…”
Section: State Of the Artmentioning
confidence: 99%
“…In the long process of development, each instrument has accumulated a large number of performances, which has added beautiful colors to the treasure trove of Chinese folk music [1]. These numerous ethnic instruments can be divided into two categories: "traditional music" and "modern contemporary composition."…”
Section: Introductionmentioning
confidence: 99%