2014
DOI: 10.1177/1468797614536307
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Materialities of tourism in the twenty-first century: A very brief introduction

Abstract: In tourism people interact routinely with a wide range of objects and material environments; they bring their gendered, racialized and aged bodies into play when performing leisure and tourism.

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Cited by 6 publications
(4 citation statements)
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“…‘Material things have a particular value in the leisure and tourism markets as they are absolutely necessary for human agency and performativity in them’ (Muecke and Wergin, 2014: 228). Souvenirs can symbolise and materialise the tourist experience, they have the ability to ‘absorb’ tourists’ narratives and express individual travel experience to social others (Hume, 2013) induce conversations about travel experience in a social setting.…”
Section: Literature Reviewmentioning
confidence: 99%
“…‘Material things have a particular value in the leisure and tourism markets as they are absolutely necessary for human agency and performativity in them’ (Muecke and Wergin, 2014: 228). Souvenirs can symbolise and materialise the tourist experience, they have the ability to ‘absorb’ tourists’ narratives and express individual travel experience to social others (Hume, 2013) induce conversations about travel experience in a social setting.…”
Section: Literature Reviewmentioning
confidence: 99%
“…ANT thus alleges that materialities have a kind of agency. Both ANT and the 'material turn' (Muecke & Wergin 2014) have roots in Latour's (2005) sociology of associations, wherein the 'social' is 'glued together' by many types of 'connectors', both human and non-human, and is inseparable from the material. Proponents of ANT and materiality insist on 'ontological symmetry' between human and material actors (Jóhannesson 2005; van der Duim, Ren & Jóhannesson 2017), but since they admit that objects do not 'act' in the same sense as humans, the sense in which objects are ascribed 'agency' in ANT remains obscure.…”
Section: Materialitiesmentioning
confidence: 99%
“…La realidad turística se convierte entonces en un campo de trabajo central y paradigmático en el que, junto a las miradas más convencionales, confluyen y se interpenetran enfoques como los estudios de género (Aitchison, 2005;Cole, 2018;Figueroa-Domecq et al, 2015), la ecología (Becken y Hay, 2007;Scott, 2008), la investigación de las emociones (Picard y Robinson, 2012), la teoría del actor-red y el estudio de los vínculos que los turistas establecen con los objetos materiales (Beard et al, 2016;Muecke y Wergin, 2014), el paradigma de la movilidad (Sheller y Urry, 2006;Urry, 2007), los análisis sobre la digitalización de la vida social (Huete, 2019;Wang et al, 2002Wang et al, , 2012, o la filosofía y la ética del turismo (Fennell, 2006;Tribe, 2009).…”
Section: Introductionunclassified