Mathematical model for optimal siting of the industrial plants

Sharipov, Daler; Abdukadirov, Abduqayum; Khasanov, Abdushokhid; Khafizov, Otabek

doi:10.1109/icisct50599.2020.9351476

Cited by 7 publications

(4 citation statements)

References 6 publications

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“…Muhammadjonov va boshqalar o'z ijodlarida Behzod miniatyura maktabi an'analaridan foydalangan. Uning shogirdlari Behzod an'analarini butun O'rta Sharqqa yoydilar[30][31][32][33][34]. Behzod an'analari keyingi davr rassomlari ijodiga ijobiy ta'sir ko'rsatdi (Behzod miniatyura maktabi).…”

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Sharq uyg‘onish davri yetuk san’atkori buyuk miniatyurachi musavvir Kamoliddin Behzod ijodi ta’sirida yuzaga kelgan o‘ziga xos yo‘nalish

Джаббаров

2021

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Ushbu maqolada Kamoliddin Behzod dahosi, ijodiyotiga alohida e’tibor qaratilgan va bu bejiz emas. Sharq miniatyura san’atida yetakchi va betakror maktab yaratgan buyuk musavvir hayoti va faoliyatini o‘rganish o‘zligini qayta tiklayotgan xalq uchun har qachongidan ham ko‘ra muhimroq ahamiyat kasb etishi hamda Kamoliddin Behzod uzoq va sermahsul hayoti xaqida qiqacha ma’lumot keltirilgan.

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Sharq uyg‘onish davri yetuk san’atkori buyuk miniatyurachi musavvir Kamoliddin Behzod ijodi ta’sirida yuzaga kelgan o‘ziga xos yo‘nalish

Джаббаров

2021

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“…Talabalarning uzluksiz mashqlari natijasida ranglardagi nozik o'zgarishlarni farqlashga, kuzatuvchanlikni rivojlanishiga rang-baranglikni sezishga, hamda tasviriy vositalarni mohirona egallashlariga zamin yaratiladi [29][30][31][32][33][34]. Tajribali rassomlarning ranglavhalarini kuzatganlarida ularning nihoyatda nafis va jozibali tasvirlanganiga havas bilan qaraydilar.…”

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Bo`lg`usi tasviriy san’at o’qituvchilarini kasbga yo’naltirishda qalamtasvirning o’rni

Xalilov

2021

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“…The gestures of the protagonists play no small role in creating the depth. Other parts of Behzod's work are important in creating depth and space -architectural buildings, roofs, pulpits, side walls, bridges, porches and more [29][30][31][32][33][34].…”

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Kamoliddin Behzod Is a Great Artist

Zokirova¹

2021

Theoretical and Empirical Scientific Research: Concept and Trends Volume2

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One of the representatives of the 15th century Renaissance in Movarounnahr and Khorasan was Kamoliddin Behzod, the student of Alisher Navoi, a Raphael of the East, a great artist and miniature artist. According to historians Mirzo Muhammad Haydar, Do'st Muhammad and Qazi Ahmad, Kamoliddin Behzod was brought up by Mirak Naqqash, Hussein Boykaro's accountant. Behzod learned painting from Pir Said Ahmad Tabrizi, and he continued the work of artist Khalil Mirzo Shahrukhi , developed and perfected his artistic style. The talent of the young artist is quickly formed [1][2][3][4].Kamoliddin Behzod was born in 1455 in Herat in a poor artisan family. Behzod's parents left him very early. As a child, he was brought up by the famous Herat painter Amir Ruhillo (Mirak Naqqosh) and Mirak Naqqosh was as his father for Behzod .One of the important factors in Behzod's development as a great artist is he was painter and miniature artist , that in the second half of the 15th century, he came to the attention of the famous poet Alisher Navoi and enjoyed his artistic, ideological and aesthetic genius. When Behzod became known as an artist, he was called to the service of Sultan Hussein's palace [5][6][7][8].In 1487, by the decree of Sultan Hussein, Behzod was appointed the head of the royal library. Later, this place became the art academy of its time. Experts call it "Nigorkhonayi Behyad" or "Behzod Academy". The artist was actively involved in the life of Navoi and Sultan Hussein in Herat [9][10][11][12].Hussein Boykaro summoned Behzod to his palace. He was given a special place in the palace and all the conditions for creative work. In 1487, Behzod was appointed as the head of the royal library by Hussein Bayqara in Herat.In 1507-1510 Behzod was in the service of Muhammad Shaibanikhan, who conquered Herat. From this period we have the portrait of Sheibanikhan created by Behzod. In 1510, the city of Herat fell to the Safavids. In 1520, King Ismail invited Behzod to Tabriz, the capital of his kingdom, to teach the young prince Tahmozib a painting. In 1522, by a special decree, the artist was appointed as a clerk in his library (secretary, painter, muzakhlib, halkor, zarkob, lojuvardshoy, etc.).After the death of Shah Ismail in 1524, during the reign of Shah Tahmosib, Behzod had a great reputation. In Tabriz, Behzod collaborated with artists such as Sultan Muhammad, Og Mirak and Mirak Mansur.In 1537, in his old age, Behzod learned that his beloved nephew and disciple Rustam Ali was dying in Herat and went to his native city of Herat to see him [13][14][15][16]. But he can't reach Rustam Ali. By the time Behzod reached Herat, he would have died. The old man Behzod, who was deeply saddened by this loss, became seriously

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Mathematical model for optimal siting of the industrial plants

Cited by 7 publications

References 6 publications

Sharq uyg‘onish davri yetuk san’atkori buyuk miniatyurachi musavvir Kamoliddin Behzod ijodi ta’sirida yuzaga kelgan o‘ziga xos yo‘nalish

Sharq uyg‘onish davri yetuk san’atkori buyuk miniatyurachi musavvir Kamoliddin Behzod ijodi ta’sirida yuzaga kelgan o‘ziga xos yo‘nalish

Bo`lg`usi tasviriy san’at o’qituvchilarini kasbga yo’naltirishda qalamtasvirning o’rni

Kamoliddin Behzod Is a Great Artist

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