Improvisation in Drama 1989
DOI: 10.1007/978-1-349-20948-4_10
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Meaning and Performance

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“…32 Improvisation as a dramatic form embodies these interactive processes, creating meaning through "the collision […] of different sets of meaning", and generating "active" spectators that not only read but write the performance too. 33 In Austentatious, the audience not only determines the title of the play, but through its responses, directs the company toward (or away from) certain jokes, actions, plot turns, or even characters. In one performance, when the evening's title was read out, an audible response from a woman in the audience signalled the whereabouts of the writer, who was revealed as Kirsty Heard in Seat G10.…”
Section: Austentatious and Postmodern Adaptationmentioning
confidence: 99%
“…32 Improvisation as a dramatic form embodies these interactive processes, creating meaning through "the collision […] of different sets of meaning", and generating "active" spectators that not only read but write the performance too. 33 In Austentatious, the audience not only determines the title of the play, but through its responses, directs the company toward (or away from) certain jokes, actions, plot turns, or even characters. In one performance, when the evening's title was read out, an audible response from a woman in the audience signalled the whereabouts of the writer, who was revealed as Kirsty Heard in Seat G10.…”
Section: Austentatious and Postmodern Adaptationmentioning
confidence: 99%