“…Julia Sonnevend (2016a) has called these later developments in the theorisation of media events a "critical turn". Instead of focusing on theoretical and empirical analyses of media events as ceremonial and ritual national occasions that stimulate a sense of belonging to a nation, as Dayan and Katz (1992) had, scholars in the critical tradition have focused more on the conflicting, global, and digital character of media events (Evans, 2018;Fox, 2018;Mortensen, 2015) and analysed them using a framework of terror, disaster, and war. These studies conceptualise media events as ritual disruptions of social cohesion and polarising performances of non-belonging in society (Liebes, 1998;Nossek, 2008;Sumiala et al, 2018;Valaskivi et al, 2019; see also Katz & Liebes, 2007).…”