Many students of media studies have encountered the term "media events" early in their education and been preoccupied with core points of Daniel Dayan and Elihu Katz's seminal work Media Events: The Live Broadcasting of History, published in 1992. Media events have also been taught and studied by media scholars through the years. This now classic book continues to intrigue even in a digital media environment markedly different from when Dayan and Katz wrote their book in the heyday of mass communication, with broadcast television at the centre. While working on this special issue, it has become apparent that media scholars still find the concept crucial for understanding how major events are constructed through media as shared experiences and frames of reference. At the same time, it is considered challenging to adopt for analysis and discussion in a fragmented and hybrid global media landscape characterised by "eventization" (Hepp & Couldry, 2010: 8), which is understood as an ever-changing plurality of smaller and larger events, constructed bottom-up or top-down.To substantiate the continuous explicatory force of the term media events in the current media culture, we must take into consideration the larger inventory of different media events. We also need to understand the more prominent role of audiences and the continuous pleasure of mediated centrings, however transient they may be: the sense created by media events of being part of larger or smaller communities and feeling the pleasure of shared experiences, focused attention, and joint belonging in the here and now. Moreover, we need to explore what scale means for our understanding of contemporary media events. Finally, we should look into how the trademark liveness of media events develops in a period of relentless social media postings and a temporality of the viral.Applying the concept of media events to a globalised and datafied media en-