2004
DOI: 10.1207/s1532706xid0404_5
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Mediated Identity in the Parasocial Interaction of TV

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Cited by 14 publications
(6 citation statements)
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“…People could also use celebrities to activate personal goals (e.g., Fitzsimons, Shah, Chartrand, & Bargh, 2005). Research has already demonstrated that parasocial interaction can affect perceptions of the self (Annese, 2004), attitudes toward others (Schiappa, Gregg, & Hewes, 2006), and behavior (Rubin & Step, 2000). Antisocial behaviors and attitudes may also be learned from celebrities.…”
Section: Discussionmentioning
confidence: 99%
“…People could also use celebrities to activate personal goals (e.g., Fitzsimons, Shah, Chartrand, & Bargh, 2005). Research has already demonstrated that parasocial interaction can affect perceptions of the self (Annese, 2004), attitudes toward others (Schiappa, Gregg, & Hewes, 2006), and behavior (Rubin & Step, 2000). Antisocial behaviors and attitudes may also be learned from celebrities.…”
Section: Discussionmentioning
confidence: 99%
“…This argument has been further developed in more recent work, in which it was found that experimental participants induced to take the perspective of another tend to incorporate relevant attributes of that other into their self‐concept (Goldstein & Cialdini, ). Other work has also begun to directly explore the possible merging of self and other, and the conscious drawing of connections between self and the fictional situation and characters, in the context of mediated narratives (Annese, ; McDonald, Sarge, Lin, Collier, & Potocki, ).…”
Section: Means To Temporarily Expand the Boundaries Of The Personal Selfmentioning
confidence: 99%
“…As a result, those in the television audience are enlisted as participants. Susanna Annese (2004) confirms this view, observing that “ordinary people . .…”
Section: Introductionmentioning
confidence: 82%
“…As a result, those in the television audience are enlisted as participants. Susanna Annese (2004) confirms this view, observing that “ordinary people … on [television talk shows] serve as a kind of simulacrum for the audience on the other side of the screen and offer images of subjectivity for their viewers” (374), with the aim of securing the latter's “involvement” (375).…”
Section: Introductionmentioning
confidence: 97%