Medieval French Literary Culture Abroad

Abstract

The field of medieval francophone literary culture outside France was for many years a minor and peripheral sub-field of medieval French literary studies (or, in the case of Anglo-Norman, of English studies). The past two decades, however, have seen a major reassessment of the use of French in England, in the Low Countries, in Italy, and in the eastern Mediterranean, and this impacts significantly upon the history of literature in French more generally. This book is the first to look at the question overall, rather than just at one region. It also takes a more sustained theorized approach than other studies, drawing particularly on Derrida and on Actor-Network Theory. It discusses a wide range of texts, some of which have hitherto been regarded as marginal to French literary history, and makes the case for this material being more central to the literary history of French than was allowed in more traditional approaches, focused narrowly on ‘France’. Many of the arguments in Medieval French Literary Culture Abroad are grounded in readings of texts in manuscript (rather than in modern critical editions), and sustained attention is paid throughout to manuscripts that were produced or travelled outside the kingdom of France.

Een bouc in walsche, a Book Written in French

“…Sleiderink 2010; Van de Haar 2019, 38-92;Gilbert, Gaunt & Burgwinkle 2020, 59-60. 12 Dodde & Esseboom 2000 Schoenaers 2017, 30-31;Van de Haar 2019, 143-149.…”