1998
DOI: 10.2307/1225826
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Melodrama, Realism, and Race: World War II Newsreels and Propaganda Film

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Cited by 25 publications
(1 citation statement)
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“…The storyline in such stories is so obvious and so clearly marked by the musical score that the American newsreel editors apparently felt no need to translate into English what the viewers were actually seeing. With war stories, melodrama seemed the dominant motif in newsreel coverage (Higashi 1998;Whissel 1999Whissel , 2002. The distinctively overwrought presentation of newsreel war stories is more difficult to describe than the impression it leaves: the powers of good against the forces of evil, set to a musical score of earnest strings and fulsome horns punctuated with machine-gun fire, narrated by a grandiloquent sports announcer on his second pot of coffee.…”
Section: The Forgotten News Mediummentioning
confidence: 99%
“…The storyline in such stories is so obvious and so clearly marked by the musical score that the American newsreel editors apparently felt no need to translate into English what the viewers were actually seeing. With war stories, melodrama seemed the dominant motif in newsreel coverage (Higashi 1998;Whissel 1999Whissel , 2002. The distinctively overwrought presentation of newsreel war stories is more difficult to describe than the impression it leaves: the powers of good against the forces of evil, set to a musical score of earnest strings and fulsome horns punctuated with machine-gun fire, narrated by a grandiloquent sports announcer on his second pot of coffee.…”
Section: The Forgotten News Mediummentioning
confidence: 99%