Abstract:Nineteenth-century, private collections of ethnographic artefacts have a bad reputation in anthropology. Appearing to comprise ‘a haphazard assemblage of junk’ (Gathercole 1978:276), anthropologists and others interested in ethnographic objects and collecting have ignored private collections for some time. While Jean Louis Henri Beijens’s collection resembles at first glance a haphazard assemblage not worthy of attention, a closer inspection reveals its historical and contemporary significance. In this article… Show more
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