This special issue on 'Silenced Mourning' explores the emphases and omissions in mourning the war dead in twentieth-century Britain, a focus which permits a multifaceted exploration of bereavement within a single cultural context over time. Six articles consider the complexities of grief and loss as experienced or represented, with a specific emphasis on that mourning which could not easily find a public space for expression. The focus of this journal ranges from the bereaved individual to the immediate family circle, to the local community, and to the national community. The articles by Kate Kennedy and Oliver Wilkinson focus on the First World War and its aftermath; those by Linda Maynard and Lucy Noakes on the Second World War; and the contributions of Corinna Peniston-Bird and Wendy Ugolini trace memorialization from each war to the present day. Together these articles illustrate how coming to terms with absence and death was a cultural as well as a psychological activity.Silence is inextricably linked with, and situated within the cultural processes of remembering and forgetting (Passerini, 2006;Winter, 2010). Jay Winter defines silences as hidden deposits which are 'concealed at some moments and revealed at others' and insists that they must be examined as 'part of the cartography of recollection and remembrance' within twentieth-century history (2010: 3). The Italian oral historian Luisa Passerini has been at the forefront of theoretical reflections which acknowledge the importance of silence and omissions when addressing the construction of personal narratives (1987, 2006). Passerini describes the variety of silences that historians can discern, which range from the repressed memories of the silence of a people to those of personal remembrance. There can be no study of the emphases of history without a concomitant awareness of the silences that distort and dislocate, in narratives, in sources, in archives, in individuals and peoples. Michel-Rolph Trouillot explored the interdependence of the creation and silencing of historical narratives in his study of the Haitian Revolution (1995). Further recent engagement with the place of silence within cultural memory includes