1955
DOI: 10.2307/891944
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Men, Women and Pianos; A Social History

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“…In modern Western societies musical practices tended to reinforce the socialization and embodiment of the binarism founding the patriarchal order (DeNora 2002), as attested by conduct books, paintings or sculptures referring to music making (Leppert 1995;Steiblin 1995). The musical education of young women, functional to the exhibition of family status and personal appeal, required compliance with the ideals of grace, decorum, discretion, deference, defining the esthetical and moral standards of feminine respectability valued in the marriage market (Loesser 1954). Girls were forbidden or deterred from playing instruments requiring them to adopt postures considered as obscene or provocative for women, or to alter their delicate poises for executive needs, or to manage technologically complex objects (Green 1997).…”
Section: The Invisible Issue Of Women's Segregation Within Music Worldsmentioning
confidence: 99%
“…In modern Western societies musical practices tended to reinforce the socialization and embodiment of the binarism founding the patriarchal order (DeNora 2002), as attested by conduct books, paintings or sculptures referring to music making (Leppert 1995;Steiblin 1995). The musical education of young women, functional to the exhibition of family status and personal appeal, required compliance with the ideals of grace, decorum, discretion, deference, defining the esthetical and moral standards of feminine respectability valued in the marriage market (Loesser 1954). Girls were forbidden or deterred from playing instruments requiring them to adopt postures considered as obscene or provocative for women, or to alter their delicate poises for executive needs, or to manage technologically complex objects (Green 1997).…”
Section: The Invisible Issue Of Women's Segregation Within Music Worldsmentioning
confidence: 99%
“…In modern Western societies musical practices tended to reinforce the socialization and embodiment of the binarism founding the patriarchal order (DeNora 2002), as attested by conduct books, paintings or sculptures referring to music making (Leppert 1995;Steiblin 1995). The musical education of young women, functional to the exhibition of family status and personal appeal, required compliance with the ideals of grace, decorum, discretion, deference, defining the esthetical and moral standards of feminine respectability valued in the marriage market (Loesser 1954). Girls were forbidden or deterred from playing instruments requiring them to adopt postures considered as obscene or provocative for women, or to alter their delicate poises for executive needs, or to manage technologically complex objects (Green 1997).…”
mentioning
confidence: 99%