“…In this way, the discursive “performance” of a story can be equally as important as its “authenticity” (Garden, 2010: 126–32; see also Arduser, 2014; Thomas, 2010; Woods, 2011). A story may be told orally, for example, in conversation or at interview; be written down, for example, in an autobiographical novel or on an internet blog; or presented visually, for example, in film, art, or a dramatic performance (Howard, 2013; McKechnie, 2014; Ramsay, 2013). Across these different formats for telling a story, three common narrative processes remain central to the creation of meaning (Ramsay, 2013): first, temporality, that is, the arranging of what may be unrelated life events and experiences into seemingly coherent temporal and causal sequences (Hydén and Brockmeier, 2008; Riessman, 2004; Ryan, 2007); second, subjectivity, that is, the reaffirming of existing identities and attachments to others, or the formulation of new ones (Arduser, 2014; Howard, 2013; McKechnie, 2014); and third, language use, that is, the use of language and imagery that hold particular denotative or connotative significance (Garden, 2010; McKechnie, 2014; Sontag, 1989).…”