James Parkinson, a Hoxton apothecary provided the first satisfying description of the shaking palsy and speculated. Recognizing that his description introduced the concept of a new single entity, Charcot coined the term "maladie de Parkinson." There are, however, several descriptions prior to Parkinson's work suggestive of Parkinson's Disease (PD). In Caraka Samhita, a treatise of Ayurevedic medicine written in 1000 BC, PD is referred to as kampavata. During the Jin dynasty in China, Zhang Zihe (1151-1231 AD) described a patient with bradykinesia, rest tremor and mask facies in the book Ru Men Shi Quin. In the Western world, it is likely that Leonardo da Vinci was the first author to provide a description of the malady. 1 The aim of this article is to bring attention to a section of the Brazilian poem "Marília de Dirceu" by Tom as Ant onio Gonzaga that was published in Lisbon in 1792 and contains the description of a man with characteristics suggestive of Parkinsonism.Gonzaga was born in Oporto (1744), Portugal, and read law at Coimbra University. After some time working in Portugal, in 1782 he was sent to Brazil, then a Portuguese colony. The most important economic activity of the colony was gold exploration, concentrated in an area that now includes the state of Minas Gerais. The main town of the region was Vila Rica (Rich Village in the Portuguese language, later renamed Ouro Preto). Gonzaga was nominated to be "Ouvidor Geral" in Vila Rica, overseeing the judicial system. 2 He was a talented poet whose verses were rooted in the classical Arcadian tradition, adopting the classical pastoral subjects of this literary movement, describing shepherds and shepherdesses in an idyllic landscape. Gonzaga had an original voice, describing the malaise of Brazil: the violence and the outcasts that included not just many slaves but also a multitude of miserable poor people that roamed around the dirty streets of Vila Rica. His poetry, though, is mostly remembered for the love verses written to his fiancée, Maria Doroteia Joaquina de Seixas Brandão, a member of one of the most important local families. In the work, "Marília de Dirceu," she is referred as Marília, and he is disguised as Dirceu. He embraced