Methodological Approach to Reconstructing Lost Monuments from Archaeological Findings: The San Francesco di Castelletto Church in Genoa

Abstract

Throughout history, natural hazards, wars, political changes and urban evolution have contributed to the obliteration of outstanding monuments. The study of their remains, frequently recovered as archaeological findings, can be the basis for a reconstruction of the lost structures, by way of their size, function, decoration and stylistic evolution. The present study developed a multidisciplinary approach to gather and interpret archaeological fragments and archive sources, in order to gain as much information as possible on “lost monuments”. The approach was tested with remnants (i.e., several hundreds of marble fragments found during archaeological excavations) of the monastic complex of San Francesco di Castelletto (Genoa), which was demolished after the Napoleonic suppressions. A preliminary organisation of the sample set was attained through cataloguing shape, size, and decoration. After this, a comparison with similar complexes still existing in Genoa allowed the inference of the age and specific ornamental functions for the majority of the pieces. Surface analysis, carried out in situ (portable microscope) and on micro‐samples (petrographic analysis and SEM‐EDS), allowed the characterisation of the materials (e.g., assessing marble provenance and identifying pigments). As a whole, the method evolved into an operational protocol, which helped both the organisation of the archaeological findings and the reconstruction of unknown phases of the lost monument.

Paint Relics on Middle Age Building Stones as Proxies of Commercial Routes and Artistic Exchanges: A Multi-Analytical Investigation

“…Most pieces show superficial accretional weathering (gypsum and secondary calcite) whose origin cannot be assessed, as the outdoor exposure for 500 years and the burial time interval could both have contributed [20].…”

“…Following these rationales, this study focused on the characterization of color traces preserved upon a cluster of 54 Middle Age marble pieces. The pieces, part of a group of 356 marble fragments excavated at the site of the gothic monastic complex of S. Francesco of Castelletto (Genoa, Italy), were catalogued: the typological and stylistic analysis helped in defining them as Middle Age ornamental and architectonic pieces pertaining to the first phase of edification of the long-lost monastic complex [20]. The number of colored surfaces in pieces belonging to diverse parts of the complex (church façade, cloisters, etc.)…”