1997
DOI: 10.2307/1185590
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Methodological Approaches to Native American Narrative and the Role of Performance

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Cited by 9 publications
(2 citation statements)
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“…While this article's focus on similarities in knowledge creation attempts to balance the overwhelming trend in scholarship to see difference, it must nevertheless be recognized that variation exists in how deception is used by social science and American Indian communities: the social setting and the process through which knowledge is produced fundamentally differ. In American Indian communities, trickster stories have generally been transmitted through oral storytelling in familial, social, and intergenerational context (Hill 1997;Toelken 1976). Stories are produced for entertainment as well as conveying values and knowledge (Cajete 2017).…”
Section: Differences Between American Indian Tricksters and Social Sc...mentioning
confidence: 99%
“…While this article's focus on similarities in knowledge creation attempts to balance the overwhelming trend in scholarship to see difference, it must nevertheless be recognized that variation exists in how deception is used by social science and American Indian communities: the social setting and the process through which knowledge is produced fundamentally differ. In American Indian communities, trickster stories have generally been transmitted through oral storytelling in familial, social, and intergenerational context (Hill 1997;Toelken 1976). Stories are produced for entertainment as well as conveying values and knowledge (Cajete 2017).…”
Section: Differences Between American Indian Tricksters and Social Sc...mentioning
confidence: 99%
“…For example, during the ceremony that marks the opening of the early childhood center, the Maasai boys perform a Murran dance that had traditionally been done before a hunt. Yet because Murrans are outlawed in Kenya and certainly boys in schools are not practicing to be Murrans, it essentially becomes a dance that is devoid of its historical and traditional meaning (see Gunn Allen 1986, Hill 1997, Wilson 1998.) Furthermore, Maasai dances and songs are not an integral part of the curriculum.…”
Section: Competing Influences Of Western and African Cultural Traditions And Identitiesmentioning
confidence: 99%