1926
DOI: 10.1002/j.1538-7305.1926.tb00118.x
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Methods of High Quality Recording and Reproducing of Music and Speech Based on Telephone Research1

Abstract: Synopsis: This paper deals with an analysis of the general requirements of recording and reproducing sound without appreciable distortion. The storing or recording of sound requires, first, a mechanical system which will respond faithfully to the sound waves which are to be recorded. Then there is required some material in or on which this sound may be recorded and an intervening system which permits the sound waves to make the record in this material. In the usual case, and in that which is particularly disc… Show more

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Cited by 19 publications
(2 citation statements)
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“…The first recording of sound was made in Paris by Édouard-Lé on Scott de Martinville in 1857, with a phonautograph, more than two decades before Alexander Graham Bell's first telephone call in 1876 or Thomas Edison's phonograph in 1877 (Maxfield & Harrison, 1926). The result of this innovation had countless applications in entertainment, social interaction, and communications.…”
Section: Musical Compositionmentioning
confidence: 99%
“…The first recording of sound was made in Paris by Édouard-Lé on Scott de Martinville in 1857, with a phonautograph, more than two decades before Alexander Graham Bell's first telephone call in 1876 or Thomas Edison's phonograph in 1877 (Maxfield & Harrison, 1926). The result of this innovation had countless applications in entertainment, social interaction, and communications.…”
Section: Musical Compositionmentioning
confidence: 99%
“…It was how the music sounded on record that mattered. Electrical recording introduced microphones and electrical amplifiers to record production, allowing the capture of quieter and more distant sounds, as well as a wider range of frequencies (Maxfield & Harrison 1926). J.P. Maxfield, a prominent figure in the development of this technology, saw electric recording as a chance to aim for ‘perfect phonographic reproduction’ (1926, pp.…”
Section: Aesthetic Conventions Of Record Productionmentioning
confidence: 99%