I draw together multimodal and creative art practices with sociological and discursive research frameworks to detail how multimodal interviewing facilitates communication of individual narratives. I offer a route for researching how embodied self-production emerges by asking: What can be learnt from analysing the context and process of narrative accounts rather than the content?Consideration is given to how a drawn visual line influences the narrative progress by inviting diverse, active and embodied engagement, while highlighting issues that participants prioritise. Attention is also given to how self-recognition and the production of identity become apparent in moments that punctuate a narrator's story-telling. These moments are identified as discursive transitions and include switches in style or topic of conversation, expressions of emotion, pauses and extended silences. These transitions are conceptualised as examples of a 'structuring presence' within a narrative, and I explore how these are central to the embodied production of self-identity.Keywords: multimodal narratives; discursive transitions; silence; embodied identity
Acknowledgements
2The Researcher would like to thank all those who engaged in the Inclusion Project by responding to surveys or participating in focus groups and life history narrative interviews, your generosity in sharing their thoughts and experiences is very much appreciated.
Author BiographyHaving completed a first degree, a masters and a PGCE, Clare Woolhouse worked in two Secondary Schools and a PCET college before moving into HE. While studying for a PhD at Lancaster University she taught undergraduate students for five years. In 2007 she moved to Edge Hill University, where she is currently a Senior Research Fellow in the Faculty of Education. Dr Woolhouse conducts research relating to inclusion and social justice and teacher professional development, with a particular focus on inclusive practice and SEND education. She delivers face to face and on-line sessions at UG and PG level relating to education, inclusion, qualitative research methodologies and academic writing.
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IntroductionIn this article I explore how the bringing together of different methods from different disciplines can reframe approaches to narrative research. I outline a creative narrative interview technique, which is informed by the field of arts practice and study the resulting data using a combination of sociological, semiotic and discursive research frameworks. To explore in more depth this process, in this article I detail how a multimodal adaptation of life history interviewing can enhance understandings of individual narratives and highlight what can be learnt from the context and process of undertaking this cross-disciplinary form of narrative interviewing.The life history narrative (LHN) research project to be discussed, investigates the career progression, professional and personal experiences of sixteen qualified teachers who specialise in Special Educational Needs and Disability (SEND) all of who...