Minnesangs Wende

Kuhn, Hugo

doi:10.1515/9783110942781

Cited by 17 publications

(3 citation statements)

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“…Rousseau's characterization of a less-suited language can also shed light on the formal play in MHG poetry emerging in the early 13th century observed by Hugo Kuhn, Thomas Cramer, Markus Stock, and Manuel Braun (Kuhn, 1967;Cramer, 1998;Stock, 2004;Braun, 2013). Rousseau's claim that a less-suited language would be "force [d]" to exclude many words and would thus become "monotonous" is exactly what the scholarship has identified (Cramer, 1998, 45).…”

Section: Soundscapesmentioning

confidence: 98%

“…36 See Stock (2004, 188) and Kuhn (1967). 37 The source code for this project is available at https://github.com/henchc/ ACL-LaTeCH-CLfL-2017.…”

Section: Acknowledgmentsmentioning

confidence: 99%

“…We would like to thank the Mittelhochdeutsche Begriffsdatenbank and Klaus Schmidt, Digital Humanities at Berkeley, and David Bamman for their continued support of this project. 36 See Stock (2004, 188) and Kuhn (1967). 37 The source code for this project is available at https://github.com/henchc/ ACL-LaTeCH-CLfL-2017.…”

Section: Acknowledgmentsmentioning

confidence: 99%

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Phonological Soundscapes in Medieval Poetry

Hench

2017

Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanit

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The oral component of medieval poetry was integral to its performance and reception. Yet many believe that the medieval voice has been forever lost, and any attempts at rediscovering it are doomed to failure due to scribal practices, manuscript mouvance, and linguistic normalization in editing practices. This paper offers a method to abstract from this noise and better understand relative differences in phonological soundscapes by considering syllable qualities. The presented syllabification method and soundscape analysis offer themselves as cross-disciplinary tools for low-resource languages. As a case study, we examine medieval German lyric and argue that the heavily debated lyrical 'I' follows a unique trajectory through soundscapes, shedding light on the performance and practice of these poets.

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Section: Soundscapesmentioning

confidence: 98%

“…36 See Stock (2004, 188) and Kuhn (1967). 37 The source code for this project is available at https://github.com/henchc/ ACL-LaTeCH-CLfL-2017.…”

Section: Acknowledgmentsmentioning

confidence: 99%