2008
DOI: 10.1553/oejh75s185
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Minoische Tradition und mykenische Innovation: Wandbilder und Kultaktivitäten in Agia Triada in SM IIIA

Abstract: EinführungDas Kreta der Nachpalastzeit (SM II-III) hat besonders in den vergangenen Jahren in der Forschung, die stets auf das neopalatiale Kreta fokussiert war, verstärkt Aufmerksamkeit erfahren .

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Cited by 2 publications
(3 citation statements)
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“…Many changes in the field of religious practices are observed from the LM II period onwards that include the disappearance of old habits, symbols and ritual paraphernalia, the introduction of new ones and the combination of traditional elements with innovative forms (cf. Hägg 1997b:166-167;Militello 2006;Rehak and Younger 2001:456-457). Archaeologically the most notable new feature is the introduction of a distinctive type of shrine, the so-called 'bench sanctuary', which seemingly made its earliest appearance at Knossos and more specifically in the 'Shrine of the Double Axes' in the southeast part of the palace (Gesell 1985(Gesell , 2004.…”
Section: Regular Rituals and Calendrical Rites In The Linear B Tablets At Knossosmentioning
confidence: 99%
“…Many changes in the field of religious practices are observed from the LM II period onwards that include the disappearance of old habits, symbols and ritual paraphernalia, the introduction of new ones and the combination of traditional elements with innovative forms (cf. Hägg 1997b:166-167;Militello 2006;Rehak and Younger 2001:456-457). Archaeologically the most notable new feature is the introduction of a distinctive type of shrine, the so-called 'bench sanctuary', which seemingly made its earliest appearance at Knossos and more specifically in the 'Shrine of the Double Axes' in the southeast part of the palace (Gesell 1985(Gesell , 2004.…”
Section: Regular Rituals and Calendrical Rites In The Linear B Tablets At Knossosmentioning
confidence: 99%
“…Willetts 1962, 177, 179, 250-251. Long 1974 Για διεξοδική πραγµάτευσή τους:Militello 1998Militello . Μilitello 2006 12 υποθετική πρόταση αναπαράστασης σε µικρής κλίµακας ζωφόρους των θραυσµάτων από τον "λάκκο των τοιχογραφιών" και την απόδοσή τους σε τοίχο του Μεγάρου ABCD.…”
unclassified
“…174, 180. Στη δράση, εξάλλου, κνώσιων ζωγράφων αποδόθηκε η µεγάλη τοιχογραφική σύνθεση από τον χώρο 50 της έπαυλης της Αγίας Τριάδας, βλ Militello 1998..…”
unclassified